Jim Dunlop Mick Ronson Signature Cry Baby Wah Pedal

£249.00

This is the Jim Dunlop Mick Ronson Signature Cry Baby Wah Pedal from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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The Mick Ronson Cry Baby Wah taps into the vibrant, melodic character of one of rock ’n’ roll’s most gifted songwriters. Few guitar players have been able to combine a keen musical instinct with a profound grasp of how to bring a composition together like Mick Ronson. Laden with expressive resonance, his arrangements layered deliberately chosen tones and textures to build exquisite melodies and powerful riffs. The Cry Baby Wah, set in a fixed position to serve as a filter, was key to the tone- shaping vision that Ronson used to transform the face of popular music through his work with David Bowie and many others as both an artist and a producer.

We wanted to make that incredible Cry Baby Wah sound available to all players, and legendary producer Bob Rock—a friend and collaborator of Ronson’s—was there to help. He generously loaned us Ronson’s own Cry Baby Wah pedal, an early Italian-made model whose vintage components imbue it with a truly singular sound. Using it as a filter in a fixed position, Ronson recorded many tracks with this pedal, and Rock would go on to use it when recording numerous other artists. With matched specs, tightened tolerances, and a custom inductor, our engineers have recreated this truly special sound.

“You place the wah, and leave it there, and that’s the tone,” Rock says. “It’s all over every record he ever made, and I’ve used it on every record since I got it. Dunlop’s engineers spent the time and sent me the prototypes, and we nailed that sound.”

To capture all of the nuance and detail responsible for Ronson’s unique wah sound, our engineers created a custom inductor that replicates the higher frequency response and subtler peak of the original pedal. The resulting sound offers an exquisitely balanced sonic profile that’s bright and clear with peaks that stay musically smooth. We want every player to get that same experience, so we tightened the inductor tolerance to ensure the closest possible representation of Ronson’s Cry Baby Wah. We have likewise reproduced the fast initial sweep of the potentiometer, which offers an instant reactivity that’s like nothing from the modern era. And it didn’t stop there—the engineering team even included period-accurate low-gain transistors and value-matched resistors that contribute to a truly distinctive EQ curve. This is a pedal that is literally tailor-made for Mr. Ronson’s signature fixed-wah tones.

Capping it all off, we’ve adorned the Mick Ronson Cry Baby Wah with a special finish inspired by his work. Dig into the signature tones of one of the greatest to ever pick up the guitar. Get the Mick Ronson Cry Baby Wah.

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Brand

Jim Dunlop

Jim Dunlop is a prominent American brand known for its production of musical accessories, particularly guitar pedals, tuners, strings, and picks. Established in 1965, Dunlop has built a strong reputation in the music industry, becoming one of the leading manufacturers of gear for guitarists, bassists, and other musicians. The company is especially famous for its iconic Wah pedals, such as the *Cry Baby*, which has been a staple in the rock and metal genres for decades.

In addition to their legendary Wah pedals, Jim Dunlop produces a wide range of other effects pedals, including distortion, overdrive, delay, reverb, and compression pedals, all known for their durability and high-quality performance. Dunlop’s products are used by musicians across various genres and are prized for their consistency, innovative features, and ease of use. Beyond pedals, Jim Dunlop is also well-regarded for its guitar strings, picks, and other accessories, making it a trusted name in the world of musical gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.