Ibanez TS808 Reissue Tube Screamer Overdrive Pedal

£164.99

This is a New Ibanez TS808 Reissue Tube Screamer Overdrive Pedal from Ibanez, listed in Overdrive Pedals on Just Pedals. Read More below.

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Ibanez TS-808 Reissue Tube Screamer

It's back…..the incomparable Ibanez Overdrive pedal that vintage gear hounds are always hoping to find. And if you do want to get hold of an original TS-808, expect to pay in the region of $400 and upwards…that's if you can find one!

The legendary Tube Screamer is probably both the most-used and most-copied of all overdrive pedals. It is famous for its juicy midrange and natural, tube-like breakup, which works great in conjunction with a decent tube amp set just loud enough to be on the edge of distortion itself…and booted slightly over the edge when a Tube Screamer is kicked in.

If your tone is suffering from a lack of real warmth, the Ibanez TS-808 Tube Screamer is the real, non-generic prescription. Each JRC4558D opamp is tested and only those meeting the optimum performance standards are selected for use in the TS-808 Tube Screamer Reissue.

The Ibanez TS808 Tube Screamer reissue features the same famous square footswitch, bright green enclosure and the warm tones of the JRC4558D opamp used in most of the original TS-808s.

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Brand

Ibanez

Ibanez is Hoshino Gakki’s guitar and bass brand, with a substantial effects, tuner and accessory range alongside its instruments. The green Tube Screamer is its best-known pedal family: the TS808, TS9 and Tube Screamer Mini offer different sizes and versions of the familiar overdrive design. JustPedals listings also include the WH10V3 wah and BIG MINI tuner. Ibanez effects sit within a much broader guitar catalogue, which makes the brand relevant both to individual pedals and to complete instrument rigs. Manufacturing varies by product and model, so the Ibanez name alone is not a country-of-origin label.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.