Keeley Filaments High Gain Distortion Pedal

£199.99

This is a New Keeley Filaments High Gain Distortion Pedal from Keeley Electronics, listed in Distortion Pedals on Just Pedals. Read More below.

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The Robert Keeley Filaments High Gain Distortion pedal can make your amp sound like a fire-breathing monster. The Filaments can cover a range of tones thanks to its wide gain spectrum.

Controls

The 4 EQ knobs (Presence, Bass, Body and Treble) lets you dial in the perfect sound. Turning up the bass and body will add more low-end to your tone, so if you’re running the pedal into a small amp then the Filaments can compensate.

Cranking the treble and presence controls adds clarity and definition, letting your guitar be heard in even the most frantic of mixes. The Bright switch also increases the amount of top-end in your signal and is another flexible option. You can add more gain and compression with the Boost and Crunch switches, letting you further adjust and harness the sound in your head.

Amp-like Tones

The Filaments’ three gain stages replicate that sought-after high gain tube amp sound, producing plenty of dynamism and character. Some digital distortion units can sound harsh or unnatural, which is why Keeley used analogue circuitry for the Filaments, providing a more genuine tone.

Low-end cab thump can be obtained with the Bass and Body controls, letting you add valve amp punch. You can further change the pedal’s sound thanks to its variable 9-18V DC. Running it maxed out will give you a more open sound with higher headroom, transforming it into a full 100W stack in a small pedal format.

Specifications

  • 9-18 VDC – Louder and More Powerful at 18 Volts
  • Ultra Low Current = 10mA
  • Center Negative Tip
  • Power Supply Required – No Battery Operation
  • True-Bypass
  • 100% Analog

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Brand

Keeley Electronics

Keeley Electronics is a prominent American manufacturer of guitar effects pedals, founded in 2001 by Robert Keeley. The company has established a strong reputation in the boutique pedal industry through its focus on precision engineering and high-quality audio performance.

Keeley is renowned for its active and passive pedal designs, including iconic models like the Katana Blues Driver, the Compressor Plus, and the Delay Workstation. Keeley’s pedals are distinguished by their meticulous craftsmanship, innovative circuit designs, and reliability.

The company’s products often incorporate advanced features such as flexible EQ controls, analogue and digital hybrid processing, and extensive tone-shaping capabilities, making them favoured by both professional and amateur guitarists seeking exceptional sound quality and versatile performance.

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced to imitate a pushed amplifier; others offer tight modern gain, scooped aggression or abrasive, gated texture. Gain, tone, presence, bass, clipping options and output headroom determine how the pedal interacts with pickups and the next stage. High gain is not automatically better gain: too much low end before clipping can become woolly, while too much treble after it can turn fizzy. Match the circuit to the amplifier and tuning.

Tags

Analogue

Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.

Digital

Uses digital conversion and processing to create, store or control the effect. This can provide presets, complex routing and repeatable algorithms, but latency, conversion and power requirements depend on the design.