A tone-hunters dream pedal. With the JHS Clover Preamp that dream has become a reality. This faithful interpretation of a legendary FET preamp includes a big selection of extra features for complete tonal bliss. Four standard control knobs complete with a 3-position rotary switch put you in total control with the potential to drive your…
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The JHS Pedals Clover Preamp is in New condition and made by JHS Pedals , it is a great Preamp Clover Pedals JHS Guitar Effect Pedal- A tone-hunters dream pedal. With the JHS Clover Preamp that dream has become a reality. This faithful interpretation of a legendary FET preamp includes a big selection of extra features for complete tonal bliss. Four standard control knobs complete with a 3-position rotary switch put you in total control with the potential to drive your pedals and amplifier for beautifully-rich tonality. With a standard 1/4 input and output as well as a handy XLR output complete with a Ground Lift switch the JHS Clover Preamp is perfect for electric acoustic and bass guitars. Take advantage of extra clarity bite depth and impact for any musical style. The Clover brings out every last drop of hidden potential in your tone letting you deliver an unforgettable performance… . Available from Just Pedals for only £ 194 Legendary Tone with a Modern Twist A faithful interpretation of a tonal icon. The JHS Pedals Clover Preamp is your key to an unforgettable sound. Based on the circuitry from a highly-regarded unit that has found its way into the hands of guitar legends the Clover gives you a plethora of tonal options whilst a selection of added features give you complete sonic flexibility. This lucky tone shaper features four standard controls – Volume Bass Middle and Treble. Theres also a handy little 3-position rotary switch for selecting between Full EQ No Mids or No EQ. The Volume control lets you set your volume at unity gain or you can turn it up and boost your signal. Perfect for pushing your amp or other dirt pedals for that extra edge and bite. The Bass Middle and Treble controls let you cut or boost frequency bands for shaping your tone in a variety of ways. Then theres the rotary switch. With three settings to choose from you can adapt the EQ to suit your needs in a matter of seconds. The No Mid setting replicates the original circuitry removing the ability to control the mid band. Instead the mids remain in a fixed setting whilst allowing you to shape your treble and mids. The No EQ setting removes any EQ adjustability completely instead the Clover becomes a straight FET boost for pushing your amp or other pedals. The Full EQ setting lets you adjust every EQ control for precise sculpting of your sound. And if your tone feels too muddy? Simply flip the Low-Cut dip switch on the side of the pedal to remove some of the low-frequency content so you can cut through any mix. Perfect for Electric Acoustic and Bass Guitars When it comes to diversity the Clover delivers. Whether youre blasting out searing leads from your guitar punching out a tight bassline or picking away on your acoustic the Clover gives you that extra bit of magic to pump up your tone. Standard 1/4 inputs and outputs let you connect your instrument to your amp in the traditional way whilst a handy XLR output opens up even more connectivity options. This XLR connection has been designed specifically with acoustic and bass players in mind giving you a perfect way to send your signal to an interface sound desk or more. And with a built-in ground lift you can get rid of ground-related hum in an instant. With its simple design premium construction and phenomenal sound the JHS Clover lets you express yourself exactly the way you want to no matter what style of music you play. Features Faithful interpretation of a legendary FET Preamp with a selection of additional features for exceptional versatility and performance Four standard controls with a single rotary switch on top ensure intuitive operation and adjustment Three EQ controls with +/-15dB filters provide powerful tone-shaping capabilities Rotary switch features three selectable EQ modes – Full EQ No Mid and No EQ Full EQ allows full use of all three EQ controls over their full ranges No Mid removes the ability to control the mids leaving them in a fixed setting No EQ removes all EQ settings meaning the Clover becomes a straight FET boost Low-Cut dip switch on the right side of the pedal removes some of the lows to eliminate mud and help you cut through the mix Standard 1/4 input and output as well as an additional XLR output for use with acoustic and bass instruments The Clover provides you with exceptional control over your sound regardless of the instrument youre using Ground Lift is available to eliminate any hum from ground loops when using the XLR output Simple powerful and incredibly musical – perfect for any style or equipment setup An excellent choice for pre-amplifying/boosting your signal for your dirt pedals Also excels at pushing your tube amplifier into natural overdrive whilst the EQ lets you find the exact spot that your amp reaches that point Adds extra punch depth and dynamics to single coil pickups Increased clarity bite and definition for humbuckers Perfect for any genre covering every base to achieve unforgettable tone Specifications Effect Type: Preamp for electric guitar acoustic guitar and bass guitar Input: 1/4 jack Outputs: 1/4 jack XLR Input Impedance: >1M Ohm Output Impedance: 520 Ohms XLR Ground Lift: Yes switchable Controls: Rotary Switch: Select between three EQ modes Full EQ: All three EQ controls are in operation No Mid: Removes the ability to control mids leaving them at a fixed setting No EQ: All EQ settings are removing allowing the Clover to act as a straight FET boost Volume: Set your volume at unity gain or as a boost to push your amp or pedals EQ: Treble: +/-15dB shelving filter at 10kHz Middle: +/-15dB peaking filter at 1.3kHz Bass: +/-15dB shelving filter at 270Hz (3dB freq) Lo-Cut Switch: -3dB point at 212Hz Current Draw at Idle: 45.5mA
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Pedals
Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals Three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble The rotary switch has three settings: Full EQ, No Mid, and No EQ Low Cut dip switch removes some of the lows if you feel your tone is too muddy and can help you cut through a mix In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp
Small Booster. Dynamic boost adds definition and clarity. After 50% it begins to break up the valve amp for an authentic overdrive, finally achieving a tremendous sustain with a warm fuzz. It can reach up to 27dB. Operates at 9V DC Negative power and consumes less than 100mA.
The perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly Just plug in your instrument Cable (or patch Cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal Once hooked up, use the left footswitch to select between a and B channels When the led is Red, the a channel is engaged. When the led is Green, the B channel is engaged. Hit the right “Y” footswitch, and both channels are engaged for full stereo output Because the active a/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/m… read more
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