JHS 3 Series Fuzz Pedal

£89.99

This is a New JHS 3 Series Fuzz Pedal from JHS Pedals is in our Fuzz Pedals category on Just Pedals. Read More below.

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JHS Pedals are renowned for tonal excellence. Their premium stompboxes are packed full of gizmos galore and options aplenty – but they’ve taken a very different approach with the 3 Series Fuzz. These affordable effects have been stripped back for pure, unadulterated JHS tone suited to both beginners and pros alike.

Raw JHS Pedals tone

Gone are the array of dials found throughout the standard JHS pedal line-up. What you’re getting here is a refined, quality sound thanks to high-end electronic components and meticulous attention to detail from the Kansas City company. This is the ultimate plug-and-play pedal.

Sound

Fuzz is a distinct style of fluffy crunch, adding dynamics and dirt to your guitar sound. The 3 Series pedal is suited to both vintage and modern applications, serving up a wide variety of soaring sustain voicings. Controls here are extremely simple to use with the bias dial adding a cool gated dimension to your tone the further you turn it up. The fuzz control is genuinely usable across the full spectrum as you explore pushed amp tones, smooth old school styles and heavier crunch.

The unique fat toggle loads up on bass frequencies for a fatter, powerful punch.

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Fuzz Pedals

Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.