JHS Pedals Hard Drive Distortion Pedal in Black

£169.99

This is a New JHS Pedals Hard Drive Distortion Pedal in Black from JHS Pedals, listed in Distortion Pedals on Just Pedals. Read More below.

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After an 8-year high-gain passion project led by Josh Scott and former head engineer Cliff Smith, JHS Pedals are proud to offer the Hard Drive Distortion. It’s their first ever truly original modern high-gain distortion pedal in the company’s history. With the aim of developing a pedal which covers the converted guitar tones of the ‘90s and 2000s the Hard Drive is the perfect companion for all things alternative with a side helping of chug.

Key Features

  • Choice of 2 colours: Available in either Black or Tan, don’t let any pedal ruin your rigs aesthetic!
  • Soft Touch: Effortless and noise-free bypassing.
  • Buffered Bypass: Premium quality buffer ensuring that your precious guitar signal doesn’t get lost in a sea of pedals and cable.

Ultimate Mid-Frequency Control

The Hard Drive uses a 2-knob sweepable midrange EQ to provide the ultimate mid-frequency flexibility. The Mid Freq knob allows you to select the specific mid-range frequency you wish to manipulate whereas the Middle knob allows you to control whether that frequency is scooped (left) or boosted (right). With the knob set to noon, the mid-EQ is flat. The treble and bass knobs are also flat in the noon position with left as a cut and right as a boost. Thanks to the intuitive well-thought-out tone-stack of the Hard Drive, dialling in the perfect high-gain tone for your project couldn’t be easier.

Original Circuit

Taking a casual approach to designing the Hard Drive led to JHS having the freedom and headroom for experimentation. First taking ideas and inspiration from other high-gain pedals and then high-gain valve amplifiers all ideas were eventually scrapped and the Hard Drive was taken back to the drawing board resulting in the development of a truly unique and original circuit design not based on any previously developed topology. Utilising cascading gain stages and a hard limiting circuit, followed by a class AB amplifier circuit which powers the unique midrange EQ section the Hard Drives offers you a tone that sounds and feels familiar however, done in a unique and interesting way which offers maximum control of tone and distortion.

Specifications

  • Pedal Type: Distortion
  • Analogue/Digital: Analogue
  • Controls: Volume, Mid Freq, Drive, Bass, Middle, Treble
  • Bypass: Buffered
  • Switching: Soft Touch
  • Input: ¼” Top Mounted
  • Output: ¼” Top Mounted
  • Power Source: 9V DC Centre Negative Power (sold separately)
  • Power: 78mA
  • Made in the USA

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Brand

JHS Pedals

JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.

JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.

In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.

With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced to imitate a pushed amplifier; others offer tight modern gain, scooped aggression or abrasive, gated texture. Gain, tone, presence, bass, clipping options and output headroom determine how the pedal interacts with pickups and the next stage. High gain is not automatically better gain: too much low end before clipping can become woolly, while too much treble after it can turn fizzy. Match the circuit to the amplifier and tuning.

Tags

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.

Buffered Bypass

Keeps an active buffer in the signal path when bypassed, helping drive long cable runs and high-capacitance boards. It can alter loading and is not the same as true bypass.