The JHS Pedals Bonsai 9-Way Overdrive is a pedal which embodies the very essence of the tube screamer sound equipped with 9 incredibly powerful overdrives for a truly versatile performance. After extensive research and analysis the Bonsai has been manufactured to perfectly recreate every aspect of the JHS sound and feel. Contained within a durable road-worthy chassis that is built to survive all the trials of life with a regularly gigging musician – you can be sure this pedal will stick with you for a long time. Hand-built with premium components the JHS Overdrive delivers everything from bright silent gain tones and classic low-gain sounds with a pronounced mid-range – all the way to iconic metal punch high-gain overdrive with a strong low end. Also featuring volume drive and tone controls so you can dial in the perfect sound suited to a range of playing styles The JHS Bonsai is the ideal choice for players wanting a range of iconic drive tones with the power to make them their own right beneath their feet.
JHS Pedals Bonsai 9-Way Overdrive
This is a New JHS Pedals Bonsai 9-Way Overdrive from JHS Pedals, listed in Overdrive Pedals on Just Pedals. Read More below.
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Brand
JHS Pedals
JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
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