Way Huge WM92 Smalls Attack Vector Phaser & Envelope Pedal

£229.00

This is the Way Huge WM92 Smalls Attack Vector Phaser & Envelope Pedal from Way Huge, listed in Phaser Pedals on Just Pedals. Read More below.

View Just
more
and

If you like to play it safe, then the Way Huge Attack Vector Phaser and Envelope is not for you! This vibrant and quirky pedal combines two different effects — phase shifter and envelope filter — into a single dangerous machine. It cranks out an array of off-kilter sounds, twisting your riffs into crazy new forms. Bee stings, perfect for funky moods. Gloopy syrup to drench your low-string twanging. Or fifty shades of rude behaviour that'll turn a pleasant cocktail party into a drunken brawl.

And by the way, the Attack Vector Phaser and Envelope's bratty attitude works great with electric bass as well as guitar. So if you're looking for a pedal that smiles politely and behaves appropriately, keep right on walking — because you won't find it here. But if you seek a kindred spirit and fellow troublemaker, the Way Huge Attack Vector Phaser and Envelope might just become your new best friend!

Related videos

Brand

Way Huge

Way Huge Electronics, founded by Jeorge Tripps in 1992, has established itself as a standout name in the world of boutique guitar pedals. The company quickly garnered attention with its distinctive designs, including the popular Swollen Pickle and Green Rhino.

What sets Way Huge apart is its successful blend of classic tones with contemporary reliability. Their pedals, ranging from overdrives to fuzzes, offer a rich variety of sounds that cater to both traditional and modern preferences.

Known for their sturdy build and intuitive controls, Way Huge pedals have become a favourite among musicians looking for unique and dependable effects to enhance their sound.

Category

Phaser Pedals

A phaser splits the signal and shifts the phase of one path through a series of all-pass filter stages. When recombined, moving peaks and notches sweep across the spectrum, creating a rounded swirl rather than the evenly spaced comb filtering of a flanger. Stage count, feedback, centre frequency, rate and depth shape the width, resonance and pulse of the sweep.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.