Walrus Audio ERAS Five-State High-Gain Distortion Pedal

£185.00

This is a New Walrus Audio ERAS Five-State High-Gain Distortion Pedal from Walrus Audio, listed in Distortion Pedals on Just Pedals. Read More below.

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The Walrus Audio Eras Five-State High-Gain Distortion pedal is an exceptional guitar pedal delivering distortion perfect for all types of heavy genres. The pedal offers complete destruction with five different modes of distortion. This allows you to easily jump between settings with a tight-response (perfect for palm muting) rich overtones with added sustain and rhythmic warm and full tones. A true bypass also means that if you wish to continue with your raw guitar sound you can. This pedal works well as your primary source of distortion but it also excels in combination with other drive pedals making it extremely versatile perfect for any rock musician.

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Brand

Walrus Audio

Walrus Audio describes itself as a collective of artists, musicians and engineers, bringing circuit design together with distinctive pedal artwork. The company says its effects are hand-built and manufactured in the USA. JustPedals listings illustrate the variety: ARP-87 multi-function delay, Slö ambient reverb, Julia analog chorus and vibrato, and Polychrome flanger. Some models focus on direct, compact controls, while others provide broader modulation or atmospheric textures. Compare each model’s modes, stereo connections and control options; the artwork is a signature of the brand, while the circuit determines how it fits a rig.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.