Here’s what Morley says about the 20/20 Wah Lock Pedal: The Wah Lock is our most versatile wah pedal. Do you want the ease of switchless activation, but also the ability to cock it? Say no more… the Wah Lock mode emulates a fixed position wah, giving you both. The third WHOA mode also shifts the envelope over to give you a deep vocal-like wah sound, which is great for high gain, horns and bass guitar. Key Features Switchless, optical wah with three wah modes: Wah, WHOA and Wah Lock 20db boost is functional is all three wah modes. Wah is set for standard Morley wah tone, WHOA is exaggerated wah tone with gritty vocal-like overtones, and Wah Lock emulates a fixed position wah. Notch knob dials in the frequency. Wah Lock works with both Wah and WHOA modes. New 20/20 buffer circuit that prevents signal loss and maintains tone. Silent switching to prevent pops and noise. 6.85″ x 4.5″ x 2.5″ (L x W x H) Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters. MQ2 custom inductor, dual LED indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo.
Morley 20-20 Wah Lock
This is a New Morley 20-20 Wah Lock from Morley, listed in Wah & Filter Pedals on Just Pedals. Read More below.
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Brand
Morley
In the current JustPedals catalogue, Morley is represented by Wah & Filter Pedals, Volume Pedals and Boost Pedals. Current listings include 20-20 Wah Lock, 20-20 Power Fuzz Wah and 20-20 Lead Wah Boost. That makes the range relevant to players looking for drive, gain and clipping. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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