Zoom G11 Multi Effects Processor – New Zoom Multi Effects Looper Stereo Distortion Guitar Effect Pedal
£540.00
The Zoom G11 Multi Effects Processor is more than just a pedalboard; this flagship multi-effects processor provided endless creative potential. Boasting 22 meticulously recreated cabinet emulations and 70 pre-loaded full impulse response data; so you can tap into any sound and style you can think of. The G11 also features brand new distortion and modulation…
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The Zoom G11 Multi Effects Processor is in New condition and made by Zoom , it is a great Multi Effects Looper Stereo Distortion Guitar Effect Pedal – The Zoom G11 Multi Effects Processor is more than just a pedalboard; this flagship multi-effects processor provided endless creative potential. Boasting 22 meticulously recreated cabinet emulations and 70 pre-loaded full impulse response data; so you can tap into any sound and style you can think of. The G11 also features brand new distortion and modulation effects providing an infinite number of tonal variations. Navigating between settings effects and cab emulations is made easy thanks to the crisp 5-inc colour touchscreen. You can drag and drop different effects and functions to achieve the sound you desire with minimal effort. The pedalboard also features classic stompbox-style control for hands-free operation. One of the most unique features of the G11 is the onboard five-minute looper – perfect for solo musicians. Its a revolutionary tool for live performance allowing you to stack multiple layers together to create full songs. You can incorporate external mono/stereo effects or build parallel audio chains using the MIDI connectivity for send effects. Not only is it a powerful multi-effects processor the Zoom G11 also doubles up as a versatile audio interface allowing you to record directly into your favourite DAW (digital audio workstation) via the USB connection. . Available from Just Pedals for only £ 540 Zoom flagship multi-effects processor Building on the success of previous versions the G11 from Zoom is their flagship multi-effects processor – and for good reason! The culmination of over 30 years of design the Zoom G11 provides everything you need as a guitarist to achieve the sound you want. Utilising cutting-edge technology Zoom’s engineers have meticulously recreated the sound of some of the most iconic amps and cabs ever created. With 22 cabinet emulations in total and 70 pre-loaded full impulse response (IR) data you can achieve the sound you want with minimal work. Spanning everything from classic British cabs to new-age amps; the G11 embodies the heart and soul of sonic exploration. At the heart of the Zoom G11 is a 5-inch colour touchscreen which makes navigating between sounds settings effects and modulation easier than ever before. The touchscreen design allows you to drag and drop the various blocks to achieve the sound you desire. This allows you to make ‘on the fly’ changes – perfect for live performances. The G11 also features a built-in five-minute looper allowing you to layer multiple parts together to create massive soundscapes and even songs. Navigating between effects banks and patches is made easy thanks to the quick-select categories at your disposal. Cutting-edge effects Zoom has meticulously designed a range of pioneering new effects for their G-series range. For distortion Razor Drive uses comb filtering to control the saturation by boosting the filter at each frequency point of resonance. This can only be achieved digitally and offers a sharp cutting distorted tone that adds real aggression and bite to your tone. Continuing the innovation is the Wave Shaper effect which consists of an algorithm that saturates the signal creating additional harmonic content. This creates a remarkably thick sound with a level of saturation unavailable with usual analogue devices. Modulation madness Alongside their innovatory distortion counterparts are a range of radical new modulation effects. Geronimo replicates your signal three times and adds subtle sonic differences to each to deliver a modern pioneering chorus effect. PolyShift is a new take on pitch-shifting subtle sound variances are imparted at various points along a two-octave range to create a contemporary-sounding effect. Finally SwellVibe is a naturally dynamic effect that intuitively responds to your playing; instead of the effect being applied from the start the vibrato begins only after the note is sounded for a more organic authentic effect. Extensive connectivity With multiple connection options the G11 is nothing if not versatile. The G11 has a mono input stereo outputs with volume control a mono FX loop AUX in control in and headphone out for connecting to or from a wide range of devices. Using the USB port the G11 also functions as a 2-in/2-out audio interface for Mac and PC allowing for minimalist recordings. Also available with a USB connection Guitar Lab software allows you to browse and upload/download an endless assortment of amps effects and artists patches. Similarly directly connect the G11 to the Handy Guitar Lab app via Bluetooth for wireless access. Whatever your connection preference the G11 will be able to handle it. What’s Included G11 Multi-Effects Guitar Processor Zoom AD-19 Power Adaptor Quick Start Guide Features Versatile multi-effects processor/pedalboard with five stomp switches Onboard expression/volume control 5-inch colour LCD touchscreen display with drag/swipe functions for quick and easy navigation Chain up to nine effects as well as an amplifier emulation Cutting-edge modulation and effects including: PolyShift Geminos SwellVibe RazorDrive Wave Shaper 22 cabinet emulations spanning everything from classic British gear to new-age classics 70 onboard IR emulations with 130 slots for user uploaded IRs Five-minute built-in looper for layering parts Two send/return effects loop plus MIDI In/Out 68 built-in rhythm patterns Integrated USB audio interface for direct recording to your DAW (digital audio workstation) Remote iOS connection for Guitar Lab app via Bluetooth adapter (BTA-1 – not included) Compatible with Zoom Guitar Lab – download additional effects Specifications General Maximum number of simultaneous effects: Amplifier + 9 effects User patches: 240 Sampling frequency: 44.1 khz A/D conversion: 24-bit 128x oversampling D/A conversion: 24-bit 128x oversampling Signal processing: 32-bit Frequency characteristics: 20 hz – 20 khz (+1 db/−2 db) (10k ohms load) Displays: 5-inch TFT colour LCD (800×480) dot-matrix LCDs (128×32) (6) Inputs Input: standard mono phone jack rated input level: -20 dbu input impedance (line): 500 k ohms Return: standard mono phone jacks (2) rated input level: -20 dbu input impedance (line): 1 m ohms Aux in: stereo mini jack rated input level: -10 dbu input impedance (line): 10 k ohms Outputs Left/right: standard mono phone jack maximum output level: inst/line +11.4 dbu/+19 dbu (when output impedance 10 kohms or higher) Phones: standard stereo phone jack maximum output level:line +11.4 dbu (when output impedance 10 k ohms or higher)headphones 24 mw + 24 mw (at 32 ohms load) Send: standard mono phone jacks (2) maximum output level:line +11.4 dbu (when output impedance 10 k ohms or higher) Other Input S/N:123 db Noise floor (residual noise): left/right : inst/line −99.5 dbu/−92.5 dbusend: -99.0 dbu MIDI in/out: 5-pin din jacks Control input: fp02m input USB device: Connector: USB 2.0 type-c / supported cable: type-c cable GuitarLab: USB 1.1 full speed audio interface: USB 2.0 high speed 44.1 khz/32-bit 4in 4out USB host: connector: USB 2.0 type-a / standard: USB 2.0 high speed Remote: Zoom BTA-1 or other dedicated wireless adapter External dimensions (DxWxH): 253 x 495 x 64 mm Weight: 2.8 kg Product code: 10004785
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Zoom Corporation is a Japanese company that specializes in designing and manufacturing audio equipment, primarily focusing on digital multi-effects processors, portable recorders, and digital audio interfaces. Founded in 1983, Zoom has become a globally recognized brand known for its innovative products that offer high-quality audio recording and processing capabilities at affordable prices.
One of Zoom’s most popular product lines is their digital multi-effects processors, which are widely used by musicians, producers, and audio engineers for live performance and studio recording. These processors offer a wide range of effects, including guitar and bass effects, vocal processing, and studio-quality reverbs and delays, all in a compact and user-friendly format.
Zoom also produces a range of portable recorders, such as the Zoom H series, which are popular among journalists, podcasters, and field recordists for their high-quality audio recording capabilities and rugged design. Additionally, Zoom offers digital audio interfaces for connecting instruments and microphones to computers for recording and production purposes.
With a reputation for innovation, quality, and affordability, Zoom continues to be a trusted choice for musicians, content creators, and audio professionals worldwide, providing versatile and reliable audio equipment that meets the demands of modern music production and recording.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Looper
A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:
1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.
2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.
3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.
4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.
5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.
6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.
7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.
Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.
Multi Effects
Multi-effects pedals are versatile devices that combine multiple guitar effects into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing capabilities in a compact and convenient package. Here are some key features and benefits of multi-effects pedals:
1. **Variety of Effects**: Multi-effects pedals typically include a wide range of effects, such as distortion, modulation, delay, reverb, chorus, and more. They allow guitarists to access a diverse palette of tones and textures without needing to invest in individual pedals for each effect.
2. **Amp Modeling**: Many multi-effects pedals feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles with a single pedal.
3. **Presets and Programmability**: Multi-effects pedals often include preset patches and programmable settings, allowing guitarists to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Multi-effects pedals offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing guitarists to tailor their sound to suit their preferences. Some pedals also support deep editing and customization via computer software or mobile apps.
5. **Space-saving and Portability**: By combining multiple effects into a single unit, multi-effects pedals help save space on the pedalboard and simplify setup and teardown for gigs and rehearsals. They are also lightweight and portable, making them ideal for traveling musicians or players with limited space.
6. **Cost-effective Solution**: Investing in a multi-effects pedal can be more cost-effective than purchasing individual stompboxes, especially for players who require a wide range of effects. Multi-effects pedals offer excellent value for money and can provide access to high-quality tones and effects at a fraction of the cost of buying separate pedals.
Overall, multi-effects pedals are versatile tools that offer guitarists a convenient and cost-effective way to access a diverse range of tones and effects. Whether used for practice, recording, or live performance, multi-effects pedals provide flexibility, convenience, and creative potential for players of all levels.
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Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
100 effects, 100 pedals in a single stompbox Sturdy metal housing for safe live use on stage Stereo Output for Stereo Effects like Reverb, Chorus and Delay Includes Tuner
Multi-effect bass pedal: 71 internal effects in the B1X FOUR, 9 amp simulation of classic rigs Up to five effects can be used simultaneously and in any order Built-in express pedal to control any parameter Looper for recording audio material with a length of up to 30 seconds / 64 beats in CD quality with inaudible start and end points Technical data: USB MIDI, USB Micro-B, power supply: power supply 9 V DC 500 mA or 4 x AA batteries, dimensions (W x H x D): 216 x 52 x 156 mm, weight: 610 g, includes 4 x AA batteries and 1 x bass patch list
One small ‘stomp’ for musicians – a giant leap for spatial sound with reverb and modulation effects 149 spatial effects ranging from lush chorus to crystal-clear delays and atmospheric reverbs Delay – 29 monophonic and stereophonic delays with delay times of up to 4 seconds. Everything from transposed and self-oscillating to multitap delays. Reverb – 33 high-quality effects in studio quality. From jump and plate reverb to a gigantic reverb and arena reverb Dynamics / Filters – Round off your sound with 44 dynamics effects and filters such as EQs, compression, noise reduction and other special effects. Each effect in the MS-70CDR+ has an extensive range of parameters, allowing you to delve deep into sound processing. Use a single effect or up to 6 effects simultaneously to create unique sounds. Stereo IN/OUT for the ultimate stereophonic soundscapes with atmosphere and character, mono also possible in all combinations
Dedicated effects for acoustic guitar, saxophone, trumpet, violin, harmonica, and acoustic bass Looped for recording up to 30 seconds/ 64 beats of CD-quality audio with seamless start and end times 50 memory locations for storing user-created Patches 68 built-in rhythm patterns tailored for unplugged styles of music can be used in combination with the looped A1 FOUR and A1X FOUR runs on 4 AA batteries, with alkaline battery life of 18 hours; MAA-1 Requires 2 AA batteries
Pedal Type Guitar Multi-FX with USB Interface Analog/Digital Digital Presets 240 User Patches, 100 Preset Patches Effects Types 9 x Simultaneous FX: Razor Drive, Wave Shaper, PolyShift, Geminos, SwellVibe, Delay, Fuzz, Octave, Wah, Rotary and more Amp Modeling 24 x Amp Models, 24 x Cabinet Models
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