Laney Black Country Customs Tony Iommi Signature Boost – New Laney EQ Boost Guitar Effect Pedal
£119.00
The Laney Black Country Customs is a signature commission designed especially for Black Sabbaths Tony Iommi to re-capture a classic sound from his past. The renowned guitar sound on the first Black Sabbath album was possible because of a modified Dallas Arbiter Range master pedal which was subsequently lost along with its killer tone. Now…
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The Laney Black Country Customs Tony Iommi Signature Boost is in New condition and made by Laney , it is a great EQ Boost Guitar Effect Pedal – The Laney Black Country Customs is a signature commission designed especially for Black Sabbaths Tony Iommi to re-capture a classic sound from his past. The renowned guitar sound on the first Black Sabbath album was possible because of a modified Dallas Arbiter Range master pedal which was subsequently lost along with its killer tone. Now Black Country Customs have recreated the powerful boost pedal allowing more players to make its sound their own. . Available from Just Pedals for only £ 119 Long Lost Tone Rediscovered Tony Iommis long-lost modified Range master allowed him to push the front end of his amp into overdrive creating his signature distorted tone heard on some of the most recognisable riffs ever played. The Laney TI-Boost has a significant bass cut and mid boost with a little more gain and extra EQ options to appeal to modern players. Controls include a Drive and Volume control along with the ability to dial in the Low and Hi frequencies plus a mid switch that gives you a couple of different Mid frequency options. Who Are Black Country Customs? Black Country Customs are a group of skilled technicians who have 50 years of tube amp manufacturing experience. They believe in heritage and tradition and want to create products the way they used to be made with all the attention to detail of a hand crafted classic. Black Sabbaths Tony Iommi Best known as the lead guitarist in Black Sabbath Tony Iommi is a pioneer of heavy metal and a writer of some of the most famous riffs in rock history. Iommi was ranked number 25 in Rolling Stone magazines list of the “100 Greatest Guitarists of All Time”. Features Drive Volume Low EQ High EQ Hi mid neutral low mid boost toggle switch Battery or PSU powered Bufferred output High quality switch components Power supply (not included) Dimensions: (W x D x H) 66 x 112 x 56 mm (26″ x 44″ x 22″) Weight: 250 g (055 lbs)
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Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Handcrafted in the UK and cased in metal the TI-BOOST pedal helps you push your amp harder and carve out your own sounds The TI-BOOST is Tony Iommi's signature gain pedal The pedal functions in the same way as Tony Iommi's legendary modified Range master – with a significant bass cut and mid boost, but we’ve included a little more gain and EQ options The four controllers allow you to dial in Drive, Volume, Low Frequency and Hi Frequency Rugged metal casing with low battery consumption
3 Modes of Compression – Fast, Medium & Slow Transparent fully buffered operation at all times Silent switching Excellent consistent load for passive volume pedals Solid metal chassis construction
The CUB-SUPERTOP boutique style ALL-TUBE amp features an ergonomic, straight ahead single channel, with three band EQ plus a dynamic, footswitchable BOOST function. The CUB-SUPERTOP also features a footswitchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom SECRETPATH pedal. On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life. FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
3 Modes – DIST 1, DIST 2 & OVERDRIVE Transparent fully buffered operation at all times Silent switching Excellent consistent load for passive Volume pedals Solid metal chassis construction
3 Modes of selectable intervals : +1 OCTAVE UP, -2 OCTAVES DOWN & PERFECT 5TH UP. Transparent fully buffered operation at all times Silent switching Excellent consistent load for passive volume pedals Solid metal chassis construction
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