The Laney Black Country Customs Blackheath Bass Distortion offers all the tonal distortion you would ever need in a pedal. It comes prepared with two different types of distortion and an overdrive providing plenty of options to craft your sonic landscape. A four-dial design allows you to adjust the gain colour volume and range for complete control over your sound. Built with a solid metal chassis you can be as heavy footed as you need when turning the pedal on and off. Silent switching means that your tone doesnt get muddied by changing tone or turning on the pedal guaranteeing that your performance is crystal-clean.
Laney Black Country Customs Blackheath Bass Distortion
£99.00
This is a New Laney Black Country Customs Blackheath Bass Distortion from Laney, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Laney
Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced to imitate a pushed amplifier; others offer tight modern gain, scooped aggression or abrasive, gated texture. Gain, tone, presence, bass, clipping options and output headroom determine how the pedal interacts with pickups and the next stage. High gain is not automatically better gain: too much low end before clipping can become woolly, while too much treble after it can turn fizzy. Match the circuit to the amplifier and tuning.
Tags
Bass
Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.
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