The Electro Harmonix Walking on the Moon Analogue Flanger/Filter is a tribute to the iconic tones of Andy Summers guitarist of the Police. Designed to replicate the shimmering effects that defined Andys sound this pedal delivers liquid flange with added depth and nuance reminiscent of chorus harmonics. By disengaging the LFO from the flanger circuit you can freeze it and obtain a fixed filter effect adding chime or metallic overtones without the traditional modulation movement. Equipped with a user-friendly control set the Walking on the Moon allows you to customise your modulation. Featured is a rate and colour allow you to adjust the speed of modulation and intensity of the output. And with a dedicated dry output the Walking on the Moon allows you to separate your dry signal offering more flexibility in mixing and blending your sounds. Featuring special artist edition graphics bearing Andy Summers signature this pedal is a true collectors item.
Electro Harmonix Walking On the Moon Ananlogue Flanger / Filter
This is a New Electro Harmonix Walking On the Moon Ananlogue Flanger / Filter from Electro Harmonix, listed in Flanger Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Flanger Pedals
Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Filter
Changes tone by allowing selected frequency regions to pass while attenuating others. Cutoff sets the transition point, resonance emphasises frequencies around it, and an envelope, treadle or modulation source can move that point to create vocal or sweeping motion.
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