Dunlop JCT95 Justin Chancellor Wah Pedal – New Dunlop Wah Multi Effects Fuzz Guitar Effect Pedal
£299.00
The Dunlop JCT95 Justin Chancellor Wah Pedal combines three impressive effects into a single pedal. It effortlessly combines the fluid expressiveness of a midrange filter the bite of a custom wah circuit and the delight of a vintage fuzz to culminate in a pedal that provides an incredible number of sonic options. At the forefront…
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The Dunlop JCT95 Justin Chancellor Wah Pedal is in New condition and made by Dunlop , it is a great Wah Multi Effects Fuzz Guitar Effect Pedal – The Dunlop JCT95 Justin Chancellor Wah Pedal combines three impressive effects into a single pedal. It effortlessly combines the fluid expressiveness of a midrange filter the bite of a custom wah circuit and the delight of a vintage fuzz to culminate in a pedal that provides an incredible number of sonic options. At the forefront of bass effects Justin Chancellor utilises all these effects to add multiple layers to his sound and the Cry Baby Wah features his favourite ways to do that. . Available from Just Pedals for only £ 299 Two different voices The JCT95 comes with two distinct voices to offer distinct tonal variations this is the U.K. Filter and the Cry Baby Wah both of which warp your sound to your preference. The U.K filter emulates the unique filtering of Justin’s own instrument with a high amount of depth and pronounced peaks perfect for melodic basslines and great for playing vocal-like patterns. When it comes to the original Wah sound though the Cry Baby voicing infuses you sound with luscious harmonics whilst not holding back when cutting through the mix. Ferocious Fuzz This pedals versatility is astounding. Not only does it provide filter and wah effects but it also incorporates Justin’s go-to fuzz. Crushing and aggressive the pedal provides enough power to achieve a monstrous amount of energy in every bassline. It does this whilst still preserving a tighter mid-range ensuring that most of the bass’s original tone is preserved. The UK vintage-inspired fuzz can be utilised solely as a fuzz or in combination with either the filter or wah. Complete tonal control Dunlop has ensured that each mode on the Justin Chancellor Wah pedal can be fully shaped to your preference. This is achieved primarily through the use of both a Volume and Q control though in any mode the pedal does uphold the low end preserved through necessity to deliver a fantastic sounding bassline. All configurations of this delightful creation makes it a must-have for any bass tone aficionado. Specifications Input Impedance: 1 MΩ Output Impedence: 1 kΩ Wah resonant frequency range: 340 Hz to 1920 Hz U.K filter resonant frequency range: 232 Hz to 2700 Hz Power: 9v battery (Optional: DC adaptor MXR brick power supply)
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Dunlop Manufacturing, Inc., commonly known as Dunlop, is a leading manufacturer of musical instrument accessories, including guitar picks, strings, capos, slides, and effects pedals. Founded in 1965 by Jim Dunlop, the company has become synonymous with quality and innovation in the music industry.
Dunlop’s product lineup covers a wide range of accessories designed to enhance the playing experience for guitarists and other musicians. The company’s guitar picks are particularly popular, offering a variety of shapes, materials, and thicknesses to suit different playing styles and preferences. Dunlop also produces a range of guitar strings, known for their durability, tone, and playability.
In addition to accessories, Dunlop manufactures a variety of effects pedals under the MXR brand, which they acquired in 1987. MXR pedals are celebrated for their rugged construction, innovative designs, and versatile tones, making them popular among guitarists and bassists in various genres. Iconic MXR pedals include the Phase 90 phaser, the Carbon Copy analog delay, and the Dyna Comp compressor.
With a legacy of excellence spanning decades, Dunlop continues to be a trusted name in the music industry, providing musicians with high-quality accessories and effects pedals that enhance their creativity and performance.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Multi Effects
Multi-effects pedals are versatile devices that combine multiple guitar effects into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing capabilities in a compact and convenient package. Here are some key features and benefits of multi-effects pedals:
1. **Variety of Effects**: Multi-effects pedals typically include a wide range of effects, such as distortion, modulation, delay, reverb, chorus, and more. They allow guitarists to access a diverse palette of tones and textures without needing to invest in individual pedals for each effect.
2. **Amp Modeling**: Many multi-effects pedals feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles with a single pedal.
3. **Presets and Programmability**: Multi-effects pedals often include preset patches and programmable settings, allowing guitarists to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Multi-effects pedals offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing guitarists to tailor their sound to suit their preferences. Some pedals also support deep editing and customization via computer software or mobile apps.
5. **Space-saving and Portability**: By combining multiple effects into a single unit, multi-effects pedals help save space on the pedalboard and simplify setup and teardown for gigs and rehearsals. They are also lightweight and portable, making them ideal for traveling musicians or players with limited space.
6. **Cost-effective Solution**: Investing in a multi-effects pedal can be more cost-effective than purchasing individual stompboxes, especially for players who require a wide range of effects. Multi-effects pedals offer excellent value for money and can provide access to high-quality tones and effects at a fraction of the cost of buying separate pedals.
Overall, multi-effects pedals are versatile tools that offer guitarists a convenient and cost-effective way to access a diverse range of tones and effects. Whether used for practice, recording, or live performance, multi-effects pedals provide flexibility, convenience, and creative potential for players of all levels.
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Wah
A wah pedal, short for “wah-wah” pedal, is an effects pedal commonly used with electric guitars and occasionally with electric keyboards and bass guitars. It’s known for its distinctive sound, characterized by a sweeping, resonant filter effect that mimics the human voice saying “wah.” Here’s how a wah pedal works and some common features:
1. **Pedal Design**: A wah pedal typically consists of a foot-operated pedal and a housing unit. The pedal is attached to a potentiometer (variable resistor) inside the housing, which adjusts the frequency response of the audio signal based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many wah pedals are compatible with expression pedals, allowing players to control the wah effect in real-time using their foot. This adds a dynamic and expressive element to the performance, enabling players to vary the intensity and speed of the wah effect as they play.
3. **Sweep Range**: The sweep range refers to the range of frequencies affected by the wah pedal. As the pedal is rocked back and forth, it sweeps through a range of frequencies, emphasizing certain frequencies while attenuating others. This creates the characteristic “wah” sound.
4. **Q Control**: Some wah pedals feature a Q control, also known as resonance or bandwidth control, which adjusts the width of the frequency band affected by the wah effect. Higher Q settings result in a narrower band of frequencies being emphasized, producing a more pronounced and focused wah sound, while lower Q settings produce a broader, more subtle effect.
5. **True Bypass**: Like many other effects pedals, wah pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the wah effect is bypassed.
6. **LED Indicator**: Some wah pedals include an LED indicator to indicate when the effect is engaged. This provides visual feedback to the player, especially useful in low-light settings or on dimly lit stages.
7. **Treadle Grip**: The treadle grip refers to the surface texture or material of the pedal’s foot surface. Some wah pedals feature textured or ribbed surfaces to provide better grip and control, especially when using the pedal with bare feet or in slippery conditions.
Overall, a wah pedal is a versatile and expressive effect that adds character and flair to guitar solos, rhythm playing, and improvisations. Whether used for funky rhythm parts, expressive lead lines, or experimental sounds, a wah pedal offers guitarists a wide range of creative possibilities for shaping their tone and adding dynamic expression to their playing.
This custom Cry Baby Wah combines three of Justin Chancellor's favorite ways to explore tones and craft soundscapes—filter, wah, and fuzz. The Justin Chancellor Cry Baby Wah features U.K. Filter and Wah modes, two tone-warpingly distinct variations on a theme. The U.K. Filter mode uses a custom solid-state circuit designed to emulate the unique envelope-like filtering of the tone control on Justin's own instrument—thick and throaty with very pronounced peaks. This mode absolutely nails his melodic, voice-like phrasing from the Tool track "The Patient." When combined with the built-in fuzz mode, the U.K. Filter generates incredibly smooth, synth-like tones. If you prefer a more traditional wah sound, the Wah mode employs the classic red Fasel Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics. Combined with the built-in fuzz circuit, the Wah mode cuts through with electric fire. Customize each mode with separate Volume and Q … read more
Add growling, funky crybaby dynamics to your bass sound Pedal modulates sweep through wah effect, silent "auto-off" switching automatically bypasses effect when foot is off pedal Adjustable volume boost knob, mounted on side Adjustable "q" control modulates frequency breadth of effect Power : battery operated (not included)
Select between a yellow or red Fasel Inductor for two distinct tones Features a custom designed CTS extended life low noise potentiometer User selectable gain output stage with kick switch and LED indicator Designed with low noise Class 'A' Operational amplifiers Bright LEDs indicate effect status, Inductor Mode, and boost on or off mode Model Number: MC404
6 different wah-wahs The variable "q" control, which adjusts the bandwidth (intensity) of the effect Adjustable booster True bypass circuit Metal potentiometer button
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