The Boss DD-500 Digital Delay Pedal is an extremely powerful and high-performance delay designed to provide 12 different types of studio quality delay effects in a single robust unit. With everything from 1980s style digital delays to modern reverse delays the DD-500 can be used to add unique character to your tone and deliver impressive stereo delay effects. Additionally the LCD screen real-time control parameters and built-in phrase looper make the DD-500 an extremely user friendly and advanced digital delay effects pedal perfect for helping take your performance to the next level. *Update Version 2 Now Available Free!* – Please See PDF Below for Details.
Boss DD-500 Digital Delay Pedal
This is a New Boss DD-500 Digital Delay Pedal from Boss, listed in Delay Pedals on Just Pedals. Read More below.
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Brand
Boss
In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Delay Pedals
Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.
Tags
Digital
Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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