Boss DD-200 Digital Delay Pedal

£269.00

This is a New Boss DD-200 Digital Delay Pedal from Boss, listed in Delay Pedals on Just Pedals. Read More below.

View Just
more
and , , , ,

Boss’ 200 Series combines stunning studio-quality sound with their trademark rugged, clean-cut design. This totally new form factor offers unprecedented versatility, value, pro-grade features and tactility – plus an eye-catching sci-fi aesthetic to boot.

The DD-200 Digital Delay summarises the core features of Boss’ flagship DD-500 in a space-saving format. With 12 delay modes from classic to state-of-the-art, plus a built-in looper, you simply can’t go wrong.

Key features

  • Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
  • 12 versatile modes provide a wide range of delay types
  • Fast, easy operation with hands-on controls
  • Real-time panel setting and four memories for storing favourite sounds
  • Phrase looper with up to 60 seconds of recording time
  • Panel Lock function disables controls to prevent unwanted changes
  • Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more
  • Support for expanded control via external footswitches, an expression pedal, or MIDI
  • Full MIDI compatibility with mini TRS jacks (BMIDI-5-35 adaptor cable available separately) for chaining 200 series pedals together
  • Micro USB jack for firmware updates
  • Analog dry through and buffered bypass
  • Runs on PSA-series AC adaptor or three AA-size batteries

Hands-on ambience

With 12 modes of delay, the DD-200 is an all-terrain ambience vehicle. From warbling Space Echo to futuristic shimmer & pad sounds, you’re covered. Not only that; the interface is designed to allow you to easily dial in your favourite sounds with minimal hassle.

No menu-diving, no software required. The essential parameters are right in front of you, with the Param knob offering different functions depending on the sound you’re working with. You get 4 onboard slots to save your favourite presets, as well as a real-time Manual mode that reflects the current interface settings. Finally, the carryover function means your delay will continue ringing even when you change presets – no more clunky sound changes.

Intuitive looping

When you press the DD-200’s two footswitches together, you activate looper mode. This gives you up to 60 seconds of mono recording time, with a selection of simple and direct controls thanks to the onboard switches. In addition, the looper behaves independently, so you can build expressive loops with any of the DD-200’s rich delay sounds.

DD-200 Delay Modes

  • Standard – Clear digital delay. PARAM adjusts the delay attack.
  • Analog – Emulates classic analog “BBD” delays like the BOSS DM series. PARAM controls character and distortion amount.
  • Tape – Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
  • Drum – Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
  • Shimmer – Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
  • Tera Echo – Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
  • Pad Echo – Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
  • Pattern – Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
  • Lo-Fi – Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
  • Dual – Two different delay lines connected in series. PARAM adjusts the time of the second delay.
  • Reverse – Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
  • Ducking – Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

Related videos

Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Delay Pedals

Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Tap Tempo

Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.

USB

Provides a Universal Serial Bus connection for power, audio, MIDI, firmware or editing data. The supported USB class and connector do not by themselves show its purpose; channel count, sample format, host compatibility and power demand define the actual function.