Gain pedals are an essential part of your tone-shaping toolbox and the KMA Audio Machines Logan Overdrive w/Mid Boost is a stellar example of whats possible. It stretches far beyond the mould of overdrive – its a wah its a great outboard for the studio and it isnt even limited to use with a guitar.…
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The KMA Audio Machines Logan Overdrive w/ Mid Boost is in New condition and made by KMA Audio Machines , it is a great Boost Mid w/ Overdrive Logan Machines Audio KMA Guitar Effect Pedal- Gain pedals are an essential part of your tone-shaping toolbox and the KMA Audio Machines Logan Overdrive w/Mid Boost is a stellar example of whats possible. It stretches far beyond the mould of overdrive – its a wah its a great outboard for the studio and it isnt even limited to use with a guitar. This is also brilliant on bass synths or anything you want to throw at it. There is 25dB of headroom in this pedal and combined with the internal wet/dry trim pot it is a perfect preamp for pro audio gear and an incredible multi-purpose overdrive for your guitar. . Available from Just Pedals for only £ 158.5 A new future for overdrive It is a preamp a boost a cocked-wah – its a lot of things! But it can also transcend those more traditional tones and take you to somewhere new especially when you add an expression pedal and take control of the mids manually. The Logan has up to 25dB of headroom available making it a very good preamp. For recording guitarists that use cab simulation this simply becomes your amp in a tiny box! This is a pedal that doesn’t colour your tone – it extends it. If you are a player for whom dynamics are of the utmost importance then you should look no further. This has been a long time in development and the attention to each sonic detail is spectacular. The reach of this project is large but it excels in its variety of uses from ‘clean boost’ to an all-out aggressive roar of singing sustain – this wasn’t made to disappoint. Powerful and adaptable EQ The EQ has 15dB of boost or cut for the bass and treble so this pedal can (if you want it to) completely alter your original signal. But things really get interesting with the foot-switchable mid control. The mid-range of this pedal can be placed before the main gain stage or after it (pre/post). In the ‘post’ position you get added volume working as a boost in those specific frequencies which is perfect at permeating a mix – making sure your solos are heard. In the ‘pre’ mode youll get added gain in your signal creating more distortion in the mid-range essentially turning it into another gain stage for a massive array of sounds. Secret trim pots The Logan boasts a number of unique ways for you to control your pedal. First you will see a hole in the base plate giving you access to a trim pot. This sets the ‘bandwidth’ (Q) of the mid-range. Turning it left broadens the peak giving a smoother fatter tone. Dialled completely to the right you get a resonant peak and used in conjunction with an external expression pedal it will give you some wild wah tones or depending on your speed some cool phaser sounds. By removing the base plate you get access to another trim pot that controls the wet/dry with your clean signal which opens its usefulness far beyond the guitar. Having control over the wet/dry mix lets you integrate this pedal into bass rigs but also lets you experiment with vocals synths or anything with a 1/4’’ jack – this really is a jack of all trades distortion that excels in its variety. Specifications Controls: Level drive M-C/B M-frequency lows highs Footswitches: 1 x Engage 1 x Mids Toggle Switch: Post/pre mid control Expression Pedal: Not included Size: 6.2cm x 9cm x 12cm Weight: 0.35kg
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KMA Audio Machines is a boutique guitar effects pedal company based in Germany, known for its innovative designs and high-quality craftsmanship. Founded in 2014, KMA Audio Machines creates pedals that blend classic analogue tones with modern features, often incorporating unique and experimental elements into their designs. Their product lineup includes a variety of effects such as distortions, delays, and modulation pedals, each crafted to offer distinctive sound-shaping capabilities and a high level of sonic versatility. KMA Audio Machines is celebrated for its creative approach to pedal design, attention to detail, and the ability to deliver both vintage and contemporary sounds, making their pedals popular among musicians seeking unique and dynamic tonal options.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Delays/Echos/Reverb Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
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