Live sound optimised for a bass legend. The Tech 21 Steve Harris Signature SH1 SansAmp has been designed to both replicate the exact tone of iconic Iron Maiden bassist Steve Harris and make performing fluid simple and hassle-free. You can find a wide array of options to give you the ultimate in flexibility – all at your feet. It wouldnt be a Steve Harris signature without the booming explosive heavy metal tone that hes renowned for. You really can make your basslines roar with the SH1. But theres so much more on offer too. Top-notch tone tweaking is on-hand with a 4-band EQ. And theres an 18dB cut or boost for when you want to reduce your sound or it give it an extra kick of power. Plus with a range of other settings voiced for legendary bassists including Phil Lynott Lemmy and more youve got a frankly gigantic amount of possibilities on offer. Your bass sound just got bigger and more expansive than ever.
Tech 21 SH1 Steve Harris Signature SH1 SansAmp
This is a New Tech 21 SH1 Steve Harris Signature SH1 SansAmp from Tech 21, listed in Bass Effects Pedals on Just Pedals. Read More below.
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Brand
Tech 21
In the current JustPedals catalogue, Tech 21 is represented by Preamp & DI Pedals, Multi-Effects Pedals and Bass Effects Pedals. Current listings include MIDI Mouse, SansAmp GT2 and SansAmp PSA 2.0. That makes the range relevant to players looking for modulation and movement, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Bass Effects Pedals
Bass effects are voiced to preserve low-frequency weight and note definition while changing dynamics, harmonics, pitch, modulation or ambience. Many use clean blends, split-frequency processing or bass-specific filter ranges so the fundamental remains solid beneath the effected signal. Headroom, crossover frequency and low-end retention matter because a circuit that suits guitar can thin or overload a bass signal.
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