The Tech 21 SansAmp Para Driver DI is a powerful preamp and DI pedal that gives you flexible and highly customisable tone control before you send your guitar to an amp. Featuring a three-band semi-parametric EQ with fixed bass and treble bands and sweepable mids you get to emphasise the part of your guitar you want to achieve the tone you want. Parallel output allows you to run a clean DI tone in parallel to the main signal so you can achieve your ideal sound in any mix. The Para Driver DI provides the instrument with a natural warmth and presence replicating the natural and smooth tones of a classic tube amp. This pioneering circuitry smooths the often harsh and intrusive harmonics of piezo pickups whilst Drive control offers subtle edge. The addition of a rumble filter and air allow you to further customise your tone removing low-end hum and adding sparkling treble thatll shine on acoustic guitars. The ideal companion for studios and stages this hardy pedal will follow your lead.
Tech 21 SansAmp Para Driver DI
This is a New Tech 21 SansAmp Para Driver DI from Tech 21, listed in Specialist Effects Pedals on Just Pedals. Read More below.
As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.
Related videos
Brand
Tech 21
Tech 21 began in Manhattan in 1989 when designer Andrew Barta introduced SansAmp, an all-analogue amplifier and speaker-emulation circuit for direct recording. SansAmp remains central to the company’s guitar and bass range, appearing in standalone preamps, DI pedals, rack units and Fly Rig products. JustPedals listings include the GT2, Programmable Bass Driver DI, Para Driver DI and Character Series VT Bass DI, as well as the MIDI Mouse. These products shape or send a direct instrument signal, rather than providing only conventional modulation or ambience; compare instrument voicing and output connections.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Acoustic
Voiced for the wider dynamics, strong transient detail and pickup characteristics of acoustic instruments. High input impedance, phase reversal, notch filtering and restrained processing help preserve body resonance while controlling piezo harshness and feedback. Balanced outputs may also carry the corrected signal directly to a mixer or interface.
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Others Just Ordered :
- Mooer Meta FX – Review
- MOOER META FX Review: 3 Effects in 1—but Here’s the Problem
- I Wasn’t Expecting To Be Impressed – But What Is The Mooer Meta FX?
- Mooer // META FX Stereo Multi-Effect Platform (Demo)
- A NEW GENERATION OF PEDALS IS HERE – Mooer Meta FX Reverb Review
- Mooer META FX | All the REVERBS from subtle to WILD!
