Keeley Electronics MK3 Driver Andy Timmons Full Range Overdrive Pedal

£219.00

This is a New Keeley Electronics MK3 Driver Andy Timmons Full Range Overdrive Pedal from Keeley Electronics, listed in Overdrive Pedals on Just Pedals. Read More below.

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Your eyes are not deceiving you! This incredible overdrive used to go by another name. The new Mk3 Driver – Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

Combines JFET saturation, diode clipping, and op-amp clipping for a harmonically rich tone.

Key Features

  • Three-Control Blues Driver – This pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics.
  • True of Buffered Bypass? – This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.
  • 9-18v Operation – Huge dynamic range and headroom.

Robert Keeley and Andy Timmons developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy’s clipping style for a brighter and more articulate attack.

Drive Switch

AT: Asymmetrical LED and silicon diode clipping

RK: Dual germanium diodes – softer, smoother feel with almost fuzzy characteristics

Selectable Buffered/True Bypass Switching – Change instantly and on-the-fly depending on your rig’s needs

Andy Timmons – Tone Switch

The Mk3 Driver gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy’s preferred voicing and low-end response. Each note in a chord is clear and articulate.

If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive – Germanium Toggle Switch

This pedal’s circuit combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping – this mode features asymmetrical LED and silicon diode clipping and is Andy’s Super AT Mod sound.

A Note From Andy Timmons

‘The Mk3 Driver is the ultimate expression of the clean/slightly broken-up tone I’ve been going for over the last several years. Robert Keeley and his incredible team have once again knocked it out of the park!

The AT/AT setting is exactly my Super AT Mod tone: just the right amount of breakup available at your dynamic command. Every note and nuance is clear as a bell. The crazy thing about this mode is that it also sounds great with the gain turned up, providing an incredibly cool Marshall-esque crunch tone.

Having the original RK modded BD-2 circuit is sheer luxury as that’s the circuit that I fell in love with years ago! It still inspires me!

The real hidden gem here is Robert’s new modification that utilizes germanium diodes instead of the original silicon for a new kind of clipping that works insanely well on its own OR as a boost for my lead tone. It has a lovely way of further taming the low-end that I really love.

With the Mk3 Driver and the Halo, I’m in Tone Heaven!’

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Brand

Keeley Electronics

In the current JustPedals catalogue, Keeley Electronics is represented by Overdrive Pedals, Compressor Pedals and Fuzz Pedals. Current listings include Keeley Fuzz Bender, Keeley Katana Mini and Keeley Compressor Pro. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Overdrive Pedals

Overdrive pedals add controlled clipping and harmonics while retaining more of the instrument’s attack and dynamics than heavier distortion. They can simulate a pushed valve amp, add a mid lift, tighten the low end or provide a lower-gain always-on voice. Gain, tone, output, presence, bass and clipping options determine how the pedal responds to pickups and the next stage. Before choosing, decide whether it should clean up from the guitar volume, stack with another drive or feed an already driven amplifier.

Tags

Buffered Bypass

Buffered bypass keeps an active buffer in the signal path when the effect is bypassed. This can help drive long cable runs and high-capacitance boards, but the buffer’s input and output loading may also change the feel or frequency response. It is not the same as true bypass. Check the buffer behaviour, output impedance, placement around fuzz and the number of other buffers already in the chain before deciding whether it suits the rig.

True Bypass

True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.