Rainger FX Snare Trap – Beatbox

£279.00

This is the Rainger FX Snare Trap – Beatbox from Rainger FX, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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Here's What Rainger FX say: 

The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

It has handy shortcuts to get a beat going quickly, plus a bunch of inspiring features and effects, including delay, low-pass filter (manual or LFO-controlled), side-chaining and correctible tap tempo. There’s a pad for adding drumfills and white noise effects, which also doubles up for inputting a tempo.

Sounds

The Snare Trap is an analogue/digital hybrid, and creates the sounds itself internally – no pre-recorded samples. With the tap tempo, delay, and the white noise part of the snare and hi-hat all being digital, the bass drum, shaping of the snare and hi-hat, the low-pass filter and side-chain circuit are all analogue.

The main snare drum is always on the ‘2’ and the ‘4’, but the delay effect moves ghost snare beats wherever you want. There’s wet or dry options, plus the shape of the snare hit can be adjusted – adding a handclap-like effect. Snare fills (and white noise bursts) can be added live with the main pad.

The first bass drum is always on the ‘1’ (the most important accent – as Bootsy says!), while the second (there are two) can be moved anywhere. The snare Trap can do any kind of swing feel you want.

The hi-hat is either 8-to-the-bar, or 4, but on the offbeat.

The tap tempo

The tap tempo is correctible (the same as the one used in the Deep Space Pulsar), which means that with one or more correcting taps on the main pad the tempo can be adjusted to sync with other tracks or instruments for long periods.

The Snare Trap is fantastic for any electric instrumentalist who plays to a beat, where live drums aren’t convenient. The beat and your instrument are blended together – so the Snare Trap is great for single-input amplifiers. There’s a ‘hi/lo’ input switch to cope with the higher signal levels from active instruments and keyboards. It runs off a regular 9v pedal power supply.

Features 

  • A mini drum machine you play guitar or other instruments through 
  • Correctable tap tempo 
  • Drum sounds can be externally triggered – great for modular synthesis 
  • Easy side-chaining – beat sync'd 
  • Self-oscillating delay for dub-like effects
  • Low-pass filter – controllable by hand or LFO
  • Drum sounds and external instrument mixed together for single input amps
  • Desktop use – or stomp on it with your foot
  • Another very cool custom enclosure

Brand

Rainger FX

Rainger FX make inventive, quirky pedals that stand out both sonically and visually. Their designs push beyond traditional effects, offering everything from experimental distortions to dynamic filters and interactive noise-makers, often with unique features like external controllers or built-in LEDs. Bold, creative, and full of character, Rainger FX pedals are perfect for players who want unconventional tones and a playful, modern twist on the classic stompbox format.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Hybrid

Combines analogue and digital stages within one signal or control design. A digital section may provide memory, routing or modelling while analogue circuitry supplies clipping, filtering or amplification, so the order and blend of the two domains shape the final response.

Tap Tempo

Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.