• MXR TBM1 Tom Morello Power 50 Overdrive Pedal
MXR TBM1 Tom Morello Power 50 Overdrive Pedal - Image 1

MXR TBM1 Tom Morello Power 50 Overdrive Pedal

£144.00

This is a New MXR TBM1 Tom Morello Power 50 Overdrive Pedal from MXR its found in our Overdrive Pedals on the Just Pedals menu. Read More below.

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The MXR TBM1 Tom Morello Power 50 Overdrive allows you to capture over 30 years of Tom Morello innovation within a single pedal. Reproduce the sound of an entire amp set up within seconds for a massive clean and controlled distorted tone. The Power 50 guarantees an overdrive that will cut straight through the mix when playing lead as well as thickening it out when playing on the lower end. Fitted with an array of control settings the FX loop feature can be used to redefine the sound of your rig while the Gain Bass Middle Treble Volume and Presence knobs enable you to interpret Morellos signature overdriven sound in your own way.

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Brand

MXR

MXR’s first product was the Phase 90, released in 1972. Dunlop’s official MXR history traces the early line from that compact phaser to the Distortion+, Dyna Comp compressor and Blue Box octave fuzz—circuits that remain central reference points for the brand. JustPedals carries those classic families alongside the Carbon Copy analog delay, Micro Amp, Talk Box and bass effects. MXR’s range is deliberately broader than one effect category: compare the model number and version, especially where a classic circuit has later reissues, mini enclosures or expanded controls.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

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