Theres an army of sound inside this box. As the name suggests the Electro Harmonix Nano Battalion Bass Overdrive is a fierce warrior. It is capable of delivering blistering overdrive to your basss sound without compromise. The treble mid and bass controls on this weapon are to sure arm you with plenty of tonal options which you can take straight to the battlefield of music mixing and performance. The all-analog circuitry allows it to go from light rumbling overdrive to all-out ear pounding distortion. Once it has invaded your pedalboard theres simply no going back. This is one pedal you just wont want to turn off.
Electro Harmonix Nano Battalion Bass Preamp & Overdrive
This is a New Electro Harmonix Nano Battalion Bass Preamp & Overdrive from Electro Harmonix, listed in Preamp & DI Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Preamp & DI Pedals
A preamp brings an instrument signal to a controlled level and shapes its impedance, gain and frequency balance before amplification or recording. A DI converts the signal for a balanced, low-impedance connection and may include ground lift, pad and transformer isolation. Combined units can add drive, cabinet filtering, effects loops and parallel outputs while keeping the direct path stable.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Overdrive
Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.
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