Limitless options. The Electro Harmonix Canyon Delay and Looper offers you a gateway to delay paradise. Offering a range of delay types and a built-in looper itll massively expand your sonic capabilities as a guitarist and send your riffs to the stratosphere. From Shimmer delay to Octave delay youll be able to find your ideal type by flicking through the effect control dial. Youll also be able to control the nature of the delay using dedicated Feedback and Delay knobs which also offer special secondary functions. And with the looper youll be able to jam over backing tracks – you can be a one-man band. With this pedal at your feet anything is possible.
Electro Harmonix Canyon Delay & Looper
This is a New Electro Harmonix Canyon Delay & Looper from Electro Harmonix, listed in Looper Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Looper Pedals
A looper records a passage and plays it back repeatedly so additional parts can be overdubbed over the cycle. Loop length, audio quality, storage and the number of independent tracks define the basic capability. Undo, quantisation, synchronisation, rhythm guides, reverse and half-speed functions determine how recordings can be corrected, transformed and aligned with other equipment.
Tags
Delay
Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.
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