The DSM/Humboldt Simplifier Mk II delivers detailed analogue amp simulation in an ultra-compact format giving you realistic amp feel responsive dynamics and direct recording flexibility . Building on the success of the original Simplifier the Mk II has upgraded preamp voicings a redesigned stereo cab simulation dedicated power amp drive control and built-in plate reverb. Whether youre recording silently running direct to front of house or building a streamlined pedalboard rig it offers convincing tube-style character without relying on digital modelling. Its three preamp styles cover a wide spread of classic tones from chimey AC-style cleans to Bassman-inspired warmth and hot-rodded British drive. The new master volume lets you control preamp and power amp saturation independently helping you achieve driven tones at manageable levels. A redesigned stereo cab simulation section delivers realistic speaker response inspired by renowned speaker curves while the built-in side-chained digital plate reverb adds depth and space. With stereo operation headphone support balanced outputs and compact dimensions the Simplifier Mk II is built for modern setups.
DSM/Humboldt Simplifier Mk II
This is a New DSM/Humboldt Simplifier Mk II from DSM & Humboldt is in our Specialist Effects Pedals category on Just Pedals. Read More below.
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Brand
DSM & Humboldt
In the current JustPedals catalogue, DSM & Humboldt is represented by Amp & Cab Simulator Pedals, Preamp & DI Pedals and Overdrive Pedals. Current listings include DSM/Humboldt Sub-Atomic, DSM/Humboldt Simplifier X and DSM/Humboldt Simplifier Mk II. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Digital
Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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