Demonfx AT-DS Freedman BE-ODX Guitar Effect Pedal Overdrive Distortion Delay CHorus AUTOWAH Pedal

Brand

Demonfx

In the current JustPedals catalogue, Demonfx is represented by Overdrive Pedals, Distortion Pedals and Chorus Pedals. Current listings include TS808 TS GREEN Overdrive, AT-DS High Quality and AT-DS. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Chorus

Adds one or more slightly delayed voices whose delay time is continuously modulated. Their small pitch and timing differences thicken the source and create shimmer or stereo width; modulation rate, depth, base delay and mix determine how subtle or liquid the movement becomes.

Delay

Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.

Distortion

Clips the waveform firmly and adds a dense series of harmonics with compression and sustain. The clipping devices, gain stages and tone filters determine whether the result is tight, smooth, mid-focused, scooped, grainy or deliberately abrasive.

Overdrive

Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.