The Behringer UC200 Chorus Pedal enhances every aspect of your guitars tone giving it additional richness thickening every aspect of the guitars sound with a chorus effect that can deliver stereo amazement. With individual controls for the Level Tone Rate and Depth you have an impressive amount of tonal shaping options. When the pedal is inactive you can be assured that your full signal integrity is upheld with maximum clarity and accuracy.
Behringer UC200 Ultra Chorus Pedal
This is a New Behringer UC200 Ultra Chorus Pedal from Behringer is in our Chorus Pedals category on Just Pedals. Read More below.
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Brand
Behringer
Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.
Category
Chorus Pedals
Chorus mixes the dry signal with one or more short, continuously modulated delays. The small pitch and timing movement between the paths creates width, shimmer and the impression of several instruments playing together. Rate controls the modulation speed, depth controls its excursion, and delay or mix settings determine whether the result is subtle thickening, a liquid wobble or a broad stereo image.
Tags
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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