Old Blood Noise Endeavors Beam Splitter V2 Triple Tracking Overdrive & Distortion Pedal in Warm

£369.00

This is the Old Blood Noise Endeavors Beam Splitter V2 Triple Tracking Overdrive & Distortion Pedal in Warm from Old Blood Noise Endeavors, listed in Overdrive Pedals on Just Pedals. Read More below.

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Brand

Old Blood Noise Endeavors

Old Blood Noise Endeavors is a pedal manufacturer known for its creative and unconventional effects. Their pedals are designed to push the boundaries of traditional sound, often combining distortion, delay, and modulation effects in innovative ways. One example is their *Beam Splitter* pedal, which takes a single input signal and splits it into three different versions with varying delay times and overdrive tones. This results in a larger, more textured sound, ideal for those looking to create unique sonic landscapes. Their pedals also feature expressive controls such as Deviate, which introduces natural variations to delay times for a more organic feel.

Old Blood Noise Endeavors is also recognized for its distinctive pedal designs and collaboration with various artists, showcasing their commitment to producing high-quality, experimental tools for musicians. Their pedals are popular for both live performances and studio work, offering a range of effects from fuzz to reverb, each with a creative twist. This brand stands out for its bold approach to sound manipulation, making it a favourite among experimental musicians and those seeking to expand their sonic palette.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Distortion

Clips the waveform firmly and adds a dense series of harmonics with compression and sustain. The clipping devices, gain stages and tone filters determine whether the result is tight, smooth, mid-focused, scooped, grainy or deliberately abrasive.