Ever since Brian Wampler first picked up a guitar hes been chasing the perfect sound – a quest that led him to build pedals in the first place. One challenge kept coming up both for him and the countless musicians hes talked to: the struggle to have a wide range of sounds with complex editing capabilities while keeping the pedal interface manageable. Musicians either compromise on versatility or sacrifice precious space. Brian knew there had to be a better way. Thats why he created the Catacombs – a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive powerful package. Whether youre after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo we have you covered!
Wampler Catacombs Reverb & Delay Multi-Effect Pedal
This is a New Wampler Catacombs Reverb & Delay Multi-Effect Pedal from Wampler Pedals, listed in Multi-Effects Pedals on Just Pedals. Read More below.
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Related videos
Brand
Wampler Pedals
Category
Multi-Effects Pedals
A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.
Tags
Delay
Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.
Digital
Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.
Reverb
Builds a dense tail of reflections around the original sound. Early reflections establish apparent distance and size, while decay, diffusion, damping and modulation shape the density, brightness and movement of the later field. Pre-delay separates the dry attack from the ambience, and mix controls their relative level.
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