Electro Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz Pedal with Tone Wicker

£114.99

This is a New Electro Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz Pedal with Tone Wicker from Electro Harmonix, listed in Fuzz Pedals on Just Pedals. Read More below.

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Legendary, long‑lost circuit revived & kitted out with expanded tonal firepower! Get the Electro Harmonix Big Muff Pi 2 with Tone Wicker at Music Co.

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Brand

Electro Harmonix

Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.

EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.

Category

Fuzz Pedals

Fuzz pedals push a signal into intentionally non-linear clipping, often producing strong sustain, compression and harmonic roughness. The circuit may be gated and spluttering, broad and woolly, bright and cutting, or rich in octave content. Germanium, silicon, op-amp and hybrid designs each respond differently to input level, temperature, pickup impedance and the guitar volume control. Fuzz is therefore unusually sensitive to placement: some pedals want to see the instrument first, while others prefer a buffered or driven signal. Judge the cleanup, noise and low-end behaviour as carefully as the maximum gain.