Morley Bad Horsie Classic Wah Pedal

£189.00

This is a New Morley Bad Horsie Classic Wah Pedal from Morley is in our Wah & Filter Pedals category on Just Pedals. Read More below.

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Here's What Morley Say About The Bad Horsie Classic Wah Pedal

The Guitar God’s legendary, signature Wah with an added Contour mode. Morley spent years working with Steve Vai taming this Bad Horsie and in 1996 released what would become one of the first artist signature pedals, and our best-selling Wah of all-time. The Bad Horsie’s Contour mode allows you to adjust the frequency and tone giving you a wide range of options.

Main Features & Specs

  • Classic Morley construction: 9.13″ x 5.88″ x 2.75″ ( L x W x H)
  • Switchless operation; Simply step on the treadle to engage the Wah and step off to bypass.
  • Our world famous Electro-Optical design. No pots to wear out!
  • Two modes; Bad Horsie Wah and Contour Wah.
  • 2nd Contour Wah mode allows you to alter the frequency and output of the Wah. Simply press the switch to active the Contour mode and use the CONTOUR knob to adjust the frequency and use the LEVEL knob to control the output.
  • Premium Buffer circuit ensures pure guitar tone and output.
  • Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters.
  • Rugged cold-rolled steel housing, LED indication, quick clip battery door and one-year warranty.
  • Works with Guitar, Bass or Keys!

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Brand

Morley

In the current JustPedals catalogue, Morley is represented by Wah & Filter Pedals, Volume Pedals and Boost Pedals. Current listings include 20-20 Wah Lock, 20-20 Power Fuzz Wah and 20-20 Lead Wah Boost. That makes the range relevant to players looking for drive, gain and clipping. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.