NUX NDS-5 Fireman Distortion Pedal

£99.99

This is a New NUX NDS-5 Fireman Distortion Pedal from NUX, listed in Distortion Pedals on Just Pedals. Read More below.

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Fireman is based on the legendary amplifier builder’s famous distortion pedal. It’s a very amp-like distortion pedal with Modern Brown Sound. Nux designed it with 2 independent Volume and Gain control knobs to fit rhythm and solo applications.

Fireman offers a True-bypass / Buffer-bypass toggle switch, and a 9V / 18V toggle switch. The 18V position doubles the working voltage inside to give you wider dynamic range.

Specifications

  • Controls: Volume 1, Gain 1, Volume 2, Gain 2, Bass, Treble, Presence, Tight
  • Bypass: True Bypass
  • Power: 9V DC Adaptor (Not Included)
  • Dimensions: 105 x 115 x 58mm

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Brand

NUX

In the current JustPedals catalogue, NUX is represented by Multi-Effects Pedals, Overdrive Pedals and Delay Pedals. Current listings include Analog Delay, Plexi Crunch and Analog Chorus. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.