Walrus Audio Lillian Analog Phaser – New Walrus Audio Guitar Effect Pedal
£188.00
Ready for take off? With the Walrus Audio Lillian Analog Phaser youll discover a new dimension of sound. It will take your tone to new heights as you fly through riffs in impeccable style offering multiple voicings for you to explore.You can choose between four or six phasing stages and dial in your own phasing…
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The Walrus Audio Lillian Analog Phaser is in New condition and made by Walrus Audio , it is a great Phaser Analog Lillian Audio Walrus Guitar Effect Pedal- Ready for take off? With the Walrus Audio Lillian Analog Phaser youll discover a new dimension of sound. It will take your tone to new heights as you fly through riffs in impeccable style offering multiple voicings for you to explore.You can choose between four or six phasing stages and dial in your own phasing tone with intuitive control dials. Youll be able to give your riffs a dreamlike aura unlocking a completely new sound altogether. Boasting immense quality craftsmanship and most importantly tone this is one pedal which you wont want to turn off. . Available from Just Pedals for only £ 188 Its not just a phase Its one of a kind. The phaser effect contained within the Lillian Analog Phaser is truly unique offering the choice between four and six stages of phasing. The four stage effect is tight and warm giving your riffs that classic well-rounded feel. With six stages youll have a more filtered sound which rings with vibrancy and spacey goodness. Make the tone your own. With a simple easy-to-use control interface the possibilities are endless. You can dial in your own type of effect using the rate width and feedback controls. These allow you to shape how deep prominent and wild the phasing effect is. Theres also a unique D-P-V dial which lets you blend between dry phase-shifted and vibrato sounds broadening the range and intensity of the effect. Theres nothing quite like it. Built for the stage Make no mistake. This charismatic pedal was made for performers who like to add some serious flair to their music. As such it has been carefully designed to make it incredibly robust and easy to use. It has a top-mounted input and output jack for quick setting up. The true bypass footswitch allows you to switch the effect on and off without affecting your basic tone and the sturdy diecast casing ensures long term durability. In essence this is a pedal which will charge your riffs with energy and take your ears on a supersonic journey. Prepare to be amazed. Specifications Effect: Multi-Stage Analog Phaser Controls: Rate Width Feedback Stages Switch D-P-V Footswitches: Bypass Power: 9VDC Dimensions: 4.77″ x 2.9″ x 2.3″
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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Phaser
A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.
Here’s how a phaser pedal typically works and some common features:
1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.
2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.
3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.
4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.
5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.
6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.
Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.
True bypass, all analog, multi-stage Phaser With controls like rate, width, feedback, and d-p-v blend, The Lillian is packed with a wide array of Analog Phaser goodness waiting to be dialed in The “stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6 The d-p-v knob lets you blend between dry, phase shifted, and Vibrato sounds allowing for a wide range of control over the intensity and type of effect Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come
Allows players to create lush, modulated, sleepy and ambient soundscapes Dark – add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb Rise – this is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time It takes the reverb to swell in after a note is played. Set Lower for shorter rise times and higher for longer rise times Dream – here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add Vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of Vibrato applied to the reverb trail Lollipop Blue finish with light Blue and off white ink featuring original artwork by christi DU toit
True bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches. The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line. The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Top-mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.
Offers both Needle and Strobe tuning modes Display orientation can rotate 90, 180 and 270 degrees for limitless pedalboard placement options Four different bypass modes including true bypass and buffered passthrough for maintaining high signal integrity Offers tuning preset, capo tunings, and selectable reference pitch Multiple standby screen options including a user uploadable photo screensaver
True bypass, two-in-one pedal Two different styles of fuzz with the M/v switch (modern/vintage) In the modern position (M), you notice a more forgiving fuzz with longer and tighter sustain, while the Vintage position (V) feels starved with spatty breakup and grittier, shorter sustain Versatile filter with resonance, sensitivity, frequency and envelope filter controls Use the filter on its own to add a unique shape to your sound, or flip the envelope filter switch and open up funky sixties style tones
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