Just Video – JHS Pedals, The Milkman Slap/Echo with Tim Marcus

Gives you the ability to take two inputs and blend them into one output Perfect for putting effects in parallel so that they are not affected by one another When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays” Can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression

Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA

Designed to be one of the most transparent overdrives out there Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has Gain Control sweeps from Completely clean to rock ‘n’ roll Tame the high end on brighter rigs with the side mounted bright cut switch Features increased headroom and output for use as a Full frequency boost

Made in Kansas City USA The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode Runs on 9V DC Negative Center power and consumes 71mA

Inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb Three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike Made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail Runs on 9V DC Negative Center power and consumes 70mA