The Meris MercuryX takes the heart and soul of the Mercury7 and morphs itself into one of the most flexible studio reverbs ever to be created, in a compact pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries!
MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system featuring discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.
Key Features
- Simple to use Interface – This pedal is simple and user-friendly to navigate, meaning you have more time to dial in whatever creative Reverb you like, using the Intuitive Colour Screen based User Interface.
- 99 Preset Locations in 33 Banks – Save all of your favourite presets so you always have access to your favourite settings, and plenty of space to save all of your experimental tones.
- Stereo Outputs – Stereo input and output with separate jacks for each, meaning you are able to connect the MercuryX to the rest of your gear easily, and in multiple different ways.
8 Custom Meris Reverbs
- Ultraplate – Adapted from Mercury7 – an inspiring and lush plate with a fast build.
- Cathedra – Adapted from Mercury7 – a massive and ethereal algorithm with a slow build, perfect for sci-fi textures.
- 78 Room – A flexible algorithm that can be voiced to replicate both the amp-based reverb sounds and the classic studio spring tanks.
- 78 Plate – A lively and direct sound – great for transforming static sounding virtual amps into a great amp live in the room with you.
- 78 Hall – A large hall with a medium build-up of reflections -great for building up ambient walls of sound.
- Spring – A flexible algorithm that can be voiced to replicate both amp-based reverb sounds and classic spring tanks.
- Prism – A dual tank that allows you to build your own geometric rooms by specifying the size and distance and reflectivity.
- Gravity – This works by accelerating individual windows of your signal and stretching them across – great for adding pad textures beneath to your sound.
