Caroline Guitar Company Meteore

£239.00

This is the Caroline Guitar Company Meteore from Caroline Guitar Company, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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The Meteore (Pronounced may-tay-or) is a lo-fi reverb pedal with a Spring-like reverb sound. it has a self-oscillation switch for controlled madness and the ability to tailor your reverb so that it sounds gritty and warm or expansive and dirty.

It throws in overtones and artifacts to your signal for a unique reverb sound, but would combine really well with a digital delay, because the reverb can add the dirt to the clean digital delay signal.

Control Knob

  • Attack: Sets the amount of gain in the preamp, allowing you to boost or overdrive the reverb
  • Size: Establishes the initial reverberation
  • Regeneration: Extends the decay and adds overtones
  • Level: The overall volume of the effect relative to your original signal
  • Dark/Bright: This toggle control sets the overall voice
  • Havoc: Holding down this switch creates extended, seemingly infinite holds, gradual runaways or instant collapse, depending on the Size setting.
  • Here's what Caroline say about the Meteore
  • Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Specifications

  • 5 control knobs
  • True Bypass
  • 9V DC Operation
  • 60mA current
  • Hand Built in Columbia, South Carolina

Brand

Caroline Guitar Company

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.