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Boss EQ-200 Graphic Equalizer Pedal – Nearly New – New Boss Stereo EQ Boost Guitar Effect Pedal

£199.00

The Boss EQ-200 Graphic Equalizer Pedal with MIDI Connection Cable is a high-grade guitar product that allows you to take control of your tone. Dont simply settle for the subtle EQ corrections that can be achieved on your amp utilise the EQ-200 and take advantage of total sonic domination. Two 10-band EQs can be operated…

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Description

The Boss EQ-200 Graphic Equalizer Pedal – Nearly New is in New condition and made by Boss , it is a great Stereo EQ Boost Guitar Effect Pedal – The Boss EQ-200 Graphic Equalizer Pedal with MIDI Connection Cable is a high-grade guitar product that allows you to take control of your tone. Dont simply settle for the subtle EQ corrections that can be achieved on your amp utilise the EQ-200 and take advantage of total sonic domination. Two 10-band EQs can be operated in stereo parallel or series giving you plenty of options for your signal flow in combination with the EQ-200s stereo connectivity. You can even alter the centre frequencies with three selectable range settings providing the flexibility needed for use with bass guitars keyboards and more. An intuitive interface makes using this pedal a breeze. Whats more you can save your favourite settings for instant recall whilst the handy level slider gives you the perfect platform for boosting either of the EQ channels for searing leads. Finally with the 32-bit AD/DA 32-bit floating-point processing and a 96kHz sample rate the Boss EQ-200 guarantees crystal-clear sound every time. . Available from Just Pedals for only £ 199 Precise tonal shaping The Boss EQ-200 Graphic Equalizer takes your frequency content shaping abilities to new levels offering the kind of EQ control that an amplifier simply can’t. With two 10-band EQs in one compact stompbox you can take complete control of every aspect of your sound with incredible accuracy. Each band can be cut or boosted by up to 15dB whilst a handy overall level slider means you can easily balance the volume with your bypassed signal or kick things up a notch with a boost for solos and lead lines letting you slice through the mix. Through the additional ability to change the frequency centres with three selectable options (30Hz to 12.8kHz 32Hz to 16 kHz and 28 Hz to 14kHz) you can optimize your pedal to suit a huge variety of instruments. Uninterrupted sound quality When youve got so many different features functions and voices to play with it can be easy to forget that above everything a pedal has to sound good. Boss certainly havent forgotten this. The EQ-200 features 32-bit AD/DA 32-bit floating point processing and a 96kHz sampling rate – all coming together to provide premium sound quality and clarity. This is a pedal that will only ever improve your signal never dampening it. Phenomenal flexibility The Boss EQ-200 Graphic Equalizer features many flexible aspects beyond its frequencies. With a variable signal flow structure you can operate your pedal in one of three different modes to suit your needs. On the rear panel there are two inputs – A and B. These can be linked together or used on their own giving you options for Stereo equalisation as well as being able to switch to Parallel or Series modes. When in Series in mode the two EQs are run one after the other letting you shape two separate tones for a variety of different situations whilst Stereo and Parallel offer that extra touch of versatility for a range of rigs and setups. Intuitive real-time control The Boss EQ-200 Graphic Equalizer has been designed to make sculpting your tone both easy and enjoyable. The control panel gives you hands-on controls with a satisfying tactile response making your workflow fast and hassle free. Adjusting each frequency band is smooth with an exceptional tonal response whilst a dedicated panel button lets you toggle between channels with ease. When you want to stop any unwanted or accidental changes you can simply use the integrated Panel Lock function keeping your settings exactly as they are. The EQ-200’s intuitive nature goes beyond the look and feel of the pedal. Intelligent features such as the four onboard memories make setting up your board incredibly easy. Each memory can be saved by simply holding the memory button whilst a Manual setting allows you to quickly jump to the settings that are currently set on the panel itself. The Boss EQ-200 Graphic Equalizer’s controls are expandable too. The default footswitches allow you to toggle the pedal on and off as well as scroll through your memory slots. However these can be reassigned to switch specific channels on or off to select specific memories and much more. This pedal also provides you with the ability to connect to external footswitches which can also be assigned in any way you wish. There’s also a rear panel connector for hooking up an expression pedal giving you intuitive level control for either channel or the overall output level. Plus with MIDI I/O via mini TRS jacks you can operate a plethora of functions from external MIDI controllers as well as chaining multiple 200-Series pedals for quick and easy simultaneous memory selection. Specifications Sampling Frequency: 96kHz AD/DA Conversion: 32-bit Processing: 32-bit floating point Memory: 4 + Manual Input: INPUT A / MONO B Nominal Input Level: -10dBu Maximum Input Level: +7dBu Input Impedance: 2 M Ohms Output: OUTPUT A / MONO B Nominal Output Level: -10dBu Maximum Output Level: +7dBu Output Impedance: 1 k Ohms Recommended Load Impedance: 10 k Ohms or greater Bypass: Buffered bypass Controls: ON/OFF switch MEMORY switch Frequency sliders (10-band labelled 30Hz to 12.8kHz) Level slider A/B button MEMORY button Display: Graphic LCD (64 x 32 dots backlit LCD) Indicators: A/B indicator MEMORY (MAN 1–4) indicators Connectors: INPUT (A/MONO B): 1/4 jack OUTPUT (A/MONO B): 1/4 jack CTL 1 2/EXP: 1/4 TRS jack MINI (IN OUT): Stereo minijack DC IN: DC input socket for use with BOSS PSA-S power adaptors USB Port: USB micro-B type (program update only) Power Supply: 3 x alkaline battery (AA LR6) AC adaptor (not included available separately) Current Draw: 170mA Expected Battery Life: Approx. 7 hours with alkaline batteries (under continuous use figure will vary depending on actual conditions of use) Dimensions: With Rubber Foot: 101mm x 138mm x 62mm / 4 x 5-7/16 x 2-1/2 (W x D x H) Without Rubber Foot: 101mm x 138mm x 60mm / 4 x 5-7/16 x 2-3/8 (W x D x H) Weight: With Batteries: 700g / 1lb 9oz Without Batteries: 630g / 1lb 7oz

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Boost
  • A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.

    Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.

    Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:

    1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.

    2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.

    3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.

    4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.

    Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Guitar Effect Pedal
  • New
  • Stereo
  • Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:

    1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.

    2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.

    3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.

    4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.

    5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.

    6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.

    7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.

    Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.