The JHS Pedals Morning Glory V4 Transparent Overdrive is a overdrive/distortion pedal with Volume Drive Tone and Gain control knobs. This eye-catching effects pedal looks as good as it sounds with exceptional signal processing and simple streamlined design. This pedal gives you all the controls you will need to tweak and adjust the tone to…
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The JHS Pedals Morning Glory V4 Transparent Overdrive is in New condition and made by JHS Pedals , it is a great Overdrive Transparent V4 Glory Morning Pedals JHS Guitar Effect Pedal- The JHS Pedals Morning Glory V4 Transparent Overdrive is a overdrive/distortion pedal with Volume Drive Tone and Gain control knobs. This eye-catching effects pedal looks as good as it sounds with exceptional signal processing and simple streamlined design. This pedal gives you all the controls you will need to tweak and adjust the tone to achieved the desired effect you want. One of the most unique features is the remote-controllable gain toggle that increase power low-end response and high-gain. . Available from Just Pedals for only £ 179 Versatile And Powerful The Morning Glory V4 is the updated version of its predecessors improving and adding more functionality. The straight-forward layout means sculpting and creating heavy dominant tones is easier than ever. The Drive control allows you control the level of the overdrive effect allowing you to find the perfect sweet-spot. The Volume knob acts like a master volume control on an amplifier controlling the amount of volume the box outputs. The Gain toggle switch activates a boost mode that helps to deliver more power and low-end response adding an extra layer of versatility to the pedal. For versatile overdriven tones and exceptional functionality the Morning Glory V4 is the ideal choice for you.
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Designed to be one of the most transparent overdrives out there Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has Gain Control sweeps from Completely clean to rock ‘n’ roll.Tame the high end on brighter rigs with the side mounted bright cut switch.Features increased headroom and output for use as a Full frequency boost
The perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly Just plug in your instrument Cable (or patch Cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal Once hooked up, use the left footswitch to select between a and B channels When the led is Red, the a channel is engaged. When the led is Green, the B channel is engaged. Hit the right “Y” footswitch, and both channels are engaged for full stereo output Because the active a/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum
Small Booster. Dynamic boost adds definition and clarity. After 50% it begins to break up the valve amp for an authentic overdrive, finally achieving a tremendous sustain with a warm fuzz. It can reach up to 27dB. Operates at 9V DC Negative power and consumes less than 100mA.
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/m… read more
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