The Old Blood Noise Endeavors Parting is a chance-based glitch pedal designed to generate evolving textures through delay reverb modulation and clock manipulation. Created in collaboration with Emily Hopkins Parting is built for players who want unpredictability without losing musical control. By blending conventional time-based effects with controlled randomness it produces shifting ambient soundscapes that respond differently with each adjustment. Parting is comfortable with a wide range of signal sources making it equally suited to guitars synths drum machines and studio processing. Stereo inputs and outputs with analogue dry through preserve clarity while flexible bypass options allow trails or true bypass operation. With presets expression control over every parameter and full MIDI support including clock sync Parting integrates easily into complex rigs. From subtle motion and degraded ambience to fractured rhythmic chaos it functions as a powerful textural tool for modern experimental setups.
Old Blood Noise Endeavors Parting Glitch Delay/Reverb & Crushing Modulation Purple
This is a New Old Blood Noise Endeavors Parting Glitch Delay/Reverb & Crushing Modulation Purple from Old Blood Noise Endeavors is in our Delay & Reverb Pedals category on Just Pedals. Read More below.
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Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Delay & Reverb Pedals
Delay and reverb are combined here because both create a sense of time and space but do so differently. Delay produces distinct repeats; reverb builds a dense field of reflections around the note. Dual-effect designs may run the sections in series or parallel, synchronise them to tempo and allow separate routing, so the interaction can range from a short room with a single echo to long, evolving ambient trails.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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