Behringer UM300 Ultra Metal Effects Pedal – New Behringer EQ Boost Distortion Guitar Effect Pedal
£26.00
The Behringer UM300 stakes a claim for being the most versatile distortion pedal on the market. The EQ shaping options are a step above most similar units with a sweepable mid boost/cut which allows you to flick back and forth between old school mid-scooped metal tones and much fatter doomier mid-heavy sounds. This is complemented…
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The Behringer UM300 Ultra Metal Effects Pedal is in New condition and made by Behringer , it is a great EQ Boost Distortion Guitar Effect Pedal – The Behringer UM300 stakes a claim for being the most versatile distortion pedal on the market. The EQ shaping options are a step above most similar units with a sweepable mid boost/cut which allows you to flick back and forth between old school mid-scooped metal tones and much fatter doomier mid-heavy sounds. This is complemented by the astonishing amount of gain this pedal can dish out. Id wager the Ultra Metal has more gain than any player needs but feel free to put this to the test. Always better to have too much than not enough! . Available from Just Pedals for only £ 26 The circuitry secrets to heaviness Go heavy or go home. The Behringer UM300 Ultra Metal Effects Pedal has a surprisingly complex circuitry. In simple terms you’ve got the input buffer the pre-distortion tone shaping circuit the gain stage and clipping diodes the post-distortion tone shaping circuit the High and Low tone controls and the sweepable Mid tone control. The pre-distortion tone-shaping gives a notable “mid hump”. If you put a wah pedal in front of a distortion pedal you’ll find you can alter the tone of the distortion by moving the wah. This what’s going on here: a peak in the frequency response is being created to boost mid-range and shape the sound of the distortion. Next is essentially a two-stage clipping circuit. At minimum gain there’s just enough signal to make the diodes conduct so it generates a light crunch. As the gain gets up to x8 or more the op-amp will start to clip too and the boosted output will be clipped hard by the diodes. So this gain control doesn’t just go to 11 it goes way up to 252! By that point all that is left is a ridiculously heavily clipped signal. After the diodes we’ve got our raw distortion with as much gain and crunch as anyone could possibly want. Then comes a filter which gives a soft lowpass action and removes some treble. The post-distortion tone shaping is a more sophisticated version of the pre-distortion tone shaping circuit and has two gyrators and therefore two peaks in the frequency response. The sweepable mid control is in essence a semi-parametric EQ and gives a cut or boost of 15dB so you can switch between the classic scooped sound and chunky mid-heavy tones. Whereas on many other distortion pedals the chosen op-amp or clipping diodes have a major influence on the outputted sound in the UM300 it’s all about frequency response. Heavily shaped at every stage those frequency responses determine the sound of the pedal much more than component choice ever would. That initial mid-hump before the distortion high-gain double clipping and then the scooped-mid response after it give the pedal its signature tone. Add to that the high degree of tonal control that comes from the powerful EQ and you’ve got a successful pedal- you just need to know how to use it. Features Extreme and sought-after hard rock or heavy metal distortion Designed to compete head to head with leading products on the market Multi-gain circuitry to give you super-thick tube-like distortion plus endless sustain Dedicated Distortion 3-band EQ and Level controls for versatile sound shaping Status LED for effect on/off and battery check Runs on 9V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic on/off switch for highest signal integrity in bypass mode Designed and engineered in Germany Specifications Controls: Distortion High EQ Low EQ Mid EQ and Frequency Level Input Connector: 1/4 TS Input Impedance: 500k? Output Connector: 1/4 TS Output Impedance: 1k? Power Supply: PSU-SB 9VDC or 9V Battery Dimensions: 54mm x 70mm x 123mm (H x W x D) Weight: 0.33kg / 0.73lbs
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Behringer is a prominent manufacturer of audio equipment, including mixers, amplifiers, signal processors, synthesizers, and digital effects units, known for their affordability and wide range of products. Founded in 1989 by Uli Behringer, the company has grown rapidly to become one of the largest manufacturers of audio equipment in the world.
Behringer’s product lineup covers a broad spectrum of audio equipment, catering to musicians, audio engineers, DJs, and live sound professionals. The company offers a variety of mixers, ranging from compact analog mixers for home studios to digital mixers with advanced features for live sound and recording applications.
In addition to mixers, Behringer produces a wide range of amplifiers, including guitar amps, bass amps, and powered PA speakers, as well as signal processors such as equalizers, compressors, and effects units. Behringer synthesizers, like the DeepMind series, have also gained popularity for their affordability and impressive sound quality.
Behringer is known for its commitment to providing high-quality audio equipment at affordable prices, making professional-grade gear accessible to a wide range of musicians and audio enthusiasts. However, the brand has also faced criticism and controversy over issues related to intellectual property rights and product cloning. Despite this, Behringer’s extensive product lineup continues to be popular among musicians and audio professionals seeking reliable and affordable audio solutions.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Take off with the most extreme and sought-after hard rock or heavy metal distortion Multi-gain circuitry to give you super-thick, tube-like distortion plus endless sustain Dedicated distortion, three- band eq and level controls for awesome sound shaping Blue status led for effect on/off and battery check Runs on nine v battery or the behringer psu-sb dc power supply (not included)
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
Product 1: Take off with the most extreme and sought-after hard rock or heavy metal distortion Product 1: Multi-gain circuitry to give you super-thick, tube-like distortion plus endless sustain Product 1: Dedicated distortion, three- band eq and level controls for awesome sound shaping Product 1: Blue status led for effect on/off and battery check Product 2: Get vintage overdrive, smooth sustain and screaming fat tone Product 2: Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound Product 2: Captures every nuance of your playing from smooth overdrive to screaming tube sounds Product 2: Dedicated Drive, Tone and Level controls for awesome sound shaping
Product 1: Pushes distortion to the extreme by producing crushing, bottom-heavy distortion for modern metal and hard rock Product 1: Dual distortion with gain boost circuitry to give you super thick and heavy distortion with brutal low-end punch and endless sustain Product 1: Dedicated gain boost, distortion, tone, bottom and level controls for awesome sound shaping Product 1: Blue status led for effect on/off and battery check Product 2: Plug guitar, bass, keyboard or E-Drums into amp, mixer or PA system Product 2: Well-constructed with clear, noise-free sound Product 2: Angled 6.35mm jack hugs closely to a guitar or bass Product 2: Great choice for beginners & students
Shape your sound and eliminate feedback with 7 bands of equalization This Behringer product has been designed to compete head to head with leading products on the market Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
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