Ashdown Geezer Butler – Pedal of Doom Dual EQ with Switchable Drive

£285.00

This is a New Ashdown Geezer Butler – Pedal of Doom Dual EQ with Switchable Drive from Ashdown, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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Ashdown’s ‘Pedal of Doom’ is a meticulously crafted bass distortion pedal born from 18 months of passionate internal discussions and inspired by the legendary Geezer Butler. At its core, this pedal revolves around the power of EQ control. With an active 5-band EQ and the ability to shape your drive’s pre-EQ, you have the freedom to sculpt two distinct tones, each with its own character and harmonics.

 Geezer Butler

Geezer Butler’s influence is palpable in every detail, from the groove of ‘Hand of Doom’ to the transformative qualities of his music. ‘The Pedal of Doom’ allows you to capture that spirit, giving you the control to punch in those rich harmonics precisely when you need them. This pedal is your key to summoning the sound of doom at a moment’s notice.

 Fine-Tuning EQ

Designed and Engineered in the heart of Essex, it features an onboard transformer isolated DI output and two switchable EQs. Dual VU meters ensure your bass signal remains perfectly balanced throughout the signal path, letting you fine-tune the EQ to match your instrument’s output. Say goodbye to unwanted gain jumps and hello to consistent, powerful tones.

 ‘Pedal of Doom’

And of course, it wouldn’t be ‘The Pedal of Doom’ without the ability to dial in just the right amount of gain. Whether you crave subtle distortion or a full-on wall of sound, this pedal has you covered. It’s the result of countless requests for a Geezer Butler preamp pedal based on the Head of Doom.

Specifications

Power Requirement: 9-18v External Power Supply Centre Pin Negative

EQ: 4-Band EQ, bass, low-mid, hi-mid and treble

H x W x D (mm):60 x 180 x 120

Weight (kg): 1.2

Brand

Ashdown

In the current JustPedals catalogue, Ashdown is represented by Distortion Pedals, Preamp & DI Pedals and Wah & Filter Pedals. Current listings include Studio One Compressor, Type 23 Dynamic and Valve Pre-DI. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

EQ

EQ changes the level of selected frequency bands rather than adding one fixed effect. Graphic, parametric and sweepable designs can remove resonances, shape a drive stage or place an instrument more clearly in a mix. Centre frequency, Q, cut and boost range, output headroom and bypass type all matter. EQ before gain changes the frequencies that clip; EQ after gain acts more like finished tone shaping, so placement should follow the problem being solved.