Electro Harmonix Bass Micro Synthesizer Analog Microsynth – Nearly New – New Electro Harmonix Guitar Effect Pedal
£256.00
Expand the sonic horizon of your bass. Meet the Electro Harmonix Bass Micro Synthesizer Analog Microsynth. This pedal can do it all. Ten slider controls provide you with a seemingly endless number of tones. Whether you desire to achieve the iconic sound of early Moog Synthesizers or just want the down-right weird and wonderful. Anything…
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The Electro Harmonix Bass Micro Synthesizer Analog Microsynth – Nearly New is in New condition and made by Electro Harmonix , it is a great New Nearly – Microsynth Analog Synthesizer Micro Bass Harmonix Electro Guitar Effect Pedal- Expand the sonic horizon of your bass. Meet the Electro Harmonix Bass Micro Synthesizer Analog Microsynth. This pedal can do it all. Ten slider controls provide you with a seemingly endless number of tones. Whether you desire to achieve the iconic sound of early Moog Synthesizers or just want the down-right weird and wonderful. Anything is possible thanks to the Bass Micro Synthesizer. Each of the Bass Micro Synthesizers four voices (guitar octave sub-octave and square-wave) are entirely independent and mixable. These voices can be manipulated further with the use of envelope control. Allowing you to obtain bowed and blown tones. If you desire to stand out from the crowd and have a tone that is talked about then look no further than the Electro Harmonix Bass Micro Synthesizer Analog Microsynth. . Available from Just Pedals for only £ 256 Same sound new build This reissue provides you with all of the original features of the Bass Micro Synthesizer. Theres no compromises or shortcuts here though. Its the exact same high quality build allowing you to achieve any tone you desire. The inclusion of an adjustable sweep sections ensures you can recreate the larger than life tones associated with renowned analog synthesizers. You can also fade in notes using the attack time control. This is particularly great for creating ambient pads. Features True bypass All analog design Design optimised for bass guitar 2-pole analog resonant filter 4 Voice mixer section mixes: sub octave original octave up and square wave Square wave voice can be used as a distortion tone Start stop filter frequency sliders with adjustable rate for full control over the filters sweep direction and speed Adjustable filter resonance control Adjustable attack time control for fading-in notes Tough and compact die-cast chassis 96DC-200BI power supply included Specifications Stereo / Mono: Mono Digital / Analog: Analog True Bypass?: Yes Voltage: 9V Product Code: BASSMICRO
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Synthesizer
A synthesizer guitar pedal is a type of effects pedal that allows guitarists to create synth-like sounds using their electric guitar. These pedals use digital or analog signal processing to transform the guitar signal into various synthesized tones, textures, and effects. Here are some key features and functions of synthesizer guitar pedals:
1. **Synthesized Sounds**: Synthesizer pedals generate a wide range of synthesized sounds, including classic synth tones, pads, leads, basslines, arpeggios, and sound effects. These sounds can emulate vintage analog synthesizers, modern digital synths, or create entirely new and unique tones.
2. **Tracking and Polyphony**: Synthesizer pedals often feature advanced tracking technology to accurately detect and analyze the guitar signal, allowing for precise triggering and tracking of notes and chords. Some pedals also offer polyphonic capabilities, meaning they can track multiple notes or chords simultaneously, enabling complex chord voicings and harmonies.
3. **Waveforms and Oscillators**: Synthesizer pedals typically include multiple waveforms and oscillators for shaping and sculpting the synthesized sound. Users can adjust parameters such as waveform shape, pitch, modulation, and envelope to create a wide variety of sonic textures and timbres.
4. **Filters and Effects**: Synthesizer pedals often feature built-in filters, envelopes, LFOs (Low-Frequency Oscillators), and effects such as delay, reverb, and modulation. These effects allow users to further shape and modulate the synthesized sound, adding movement, depth, and character.
5. **Presets and Programmability**: Many synthesizer pedals come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different synth tones and settings on the fly.
6. **Expression Pedal Compatibility**: Some synthesizer pedals are compatible with expression pedals, allowing users to control parameters such as filter cutoff, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
7. **Integration with Other Gear**: Synthesizer pedals can be used standalone or integrated into existing guitar rigs, pedalboards, or studio setups. They often include various connectivity options such as input and output jacks, MIDI compatibility, and USB connectivity for recording and editing.
Overall, synthesizer guitar pedals offer guitarists a versatile and creative tool for exploring new sonic possibilities, expanding their tonal palette, and adding depth and dimension to their music. Whether used for experimental soundscapes, electronic music production, or blending with traditional guitar tones, synthesizer pedals unlock a world of creative potential for guitarists of all styles and genres.
3-pole analog resonant filter 4 voice mixer section mixes: sub octave, original, octave up and square wave Start, stop filter frequency sliders with adjustable rate for full control over the filter's sweep direction and speed, Adjustable filter resonance control, Adjustable attack time control for fading-in notes True bypass, all analog design 96DC-200BI power supply included
4 Voice mixer section mixes: sub octave, original, octave up and square wave Start, stop filter frequency sliders with adjustable rate for full control over the filter's sweep direction and speed All analog design True bypass 96DC-200BI power supply included
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
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