Death By Audio Waveformer Destroyer Distortion – New Death By Audio Guitar Effect Pedal
£289.00
The Death By Audio Waveformer Destroyer delivers a multitude of different distortion possibilities directly to your pedalboard opening up ample opportunity for you to explore and find your ideal tone. For those looking to add a ferocious stream of destruction this is your perfect option. Utilising four stomp switches you can alter your sound at…
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The Death By Audio Waveformer Destroyer Distortion is in New condition and made by Death By Audio , it is a great Distortion Destroyer Waveformer Audio By Death Guitar Effect Pedal- The Death By Audio Waveformer Destroyer delivers a multitude of different distortion possibilities directly to your pedalboard opening up ample opportunity for you to explore and find your ideal tone. For those looking to add a ferocious stream of destruction this is your perfect option. Utilising four stomp switches you can alter your sound at every moment on stage. Using a boost blast engage and filter you can kick in different aspects of the sound. This rambunctious pedal also offers eight internal dip switches that allow you to alter every aspect of the sound. . Available from Just Pedals for only £ 289 Eight dip switches The Waveformer Destroyer has eight separate internal dip switches all of which allow you to customise your sound resulting in thousands of different options at the command of your feet. Two dip switches are assigned to each circuit meaning that each aspect is easily controlled. Two overload switches a Thin or Full Trash or Smooth Deep and Wide Norm or Shift Break or Saw and Crunch or blast you will be creating sounds that storm your mix with incredible levels of destruction. Versatile stomp controls It’s not often that you see a pedal with four external stomp controls but here that’s exactly what you have and it begs the question – why isn’t it done more? Well the answer is we don’t know because it makes everything a whole lot easier. Kick in any section of the pedal at any moment with easy access at even to most energetic of moments on stage. Kick in the Boost Blast Engage and Filter sections kicking your sound into gear at every moment. About Death By Audio Death By Audio is a boutique effects pedal company based in Brooklyn New York. It was founded by Oliver Ackermann who is the guitarist and vocalist of A Place to Bury Strangers; who have released 4 studio albums to date. He started Death By Audio in 2001 and has since gone on to design and hand-make boutique guitar pedals that are built using rugged durable and high-quality materials. Over the years Death By Audio has provided custom equipment for bands including U2 and Nine Inch Nails and Lightning Bolt. The location where the pedals were made was also used as a live music venue as well as a recording studio. Specifications Effect: Distortion Controls: Engage Boost Filter Blast Master Internal DIP Switches: Overload 1 Overload 2 Thin/Full Trash/Smooth Deep/Wide Norm/Shift Break/Saw Crush/Blast Dimensions: 148 x 121 x 59 mm Weight: 510g Power: 9V Current Draw: 6 mA
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Death By Audio is a highly regarded boutique pedal manufacturer based in Brooklyn, New York, USA. Founded by Oliver Ackermann in 2002, Death By Audio has gained recognition for its adventurous and innovative approach to pedal design, producing a diverse range of effects pedals known for their unique sounds and rugged build quality.
One of Death By Audio’s most famous pedals is the Fuzz War, a fuzz/distortion pedal revered for its massive, aggressive sound and versatile controls. The Fuzz War has been used by countless artists across various genres, from indie rock to experimental noise music, and has become a staple on many pedalboards.
In addition to the Fuzz War, Death By Audio offers a wide variety of other effects pedals, including delays, reverbs, modulation effects, and more. Each pedal is handcrafted in Brooklyn and features eye-catching artwork, robust construction, and innovative circuit designs that push the boundaries of traditional pedal design.
Death By Audio pedals are highly sought after by musicians and collectors for their unique tones, artistic flair, and uncompromising build quality. With their commitment to creativity and sonic exploration, Death By Audio continues to be a leading name in the world of boutique guitar pedals, inspiring musicians to push the limits of their sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Designed specifically for bass and low tuning Wide range of fuzz tones including drive, distortion, ripping fuzz, and super compressed total destruction A sweepable notch filter and a clean blend mean that almost any bass tone can be achieved with different knob settings A studio-grade clean blend A highly interactive tone control
9v 500mA Regulated, 2.1mm x 5.5mm, Centre Negative Polarity Power Supply Filtered for Zero Hum, Noise Free Operation Spring Mounted Tip for Secure Connection 2 Meter Rounded Thick Cable. Energy Efficient Designed for Musical Equipment
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