A 1980 DOD 680 stereo analog delay pedal Blue Guitar Effect Pedal – FREE Worldwide Shipping!Original vintage c 1980 DOD 680 analog delay, the blue one! Freshly serviced, perfect working condition, ready for the pro…
The 1980 DOD 680 stereo analog delay pedal Blue is in a used condition and made by DOD , it is a just a great Blue pedal delay analog stereo 680 DOD 1980 Blue Guitar Effect Pedal – FREE Worldwide Shipping!Original vintage c 1980 DOD 680 analog delay, the blue one! Freshly serviced, perfect working condition, ready for the pro… . Available from Just Pedals marketplace for only £595.00 (+delivery). Read More for ordering, more details and pics.
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DOD, or Digitech/DOD Electronics, is a renowned brand in the world of audio electronics, particularly known for its effects pedals for guitars and basses. The company was founded in 1973 by David Oreste Di Francesco and John Johnson, hence the acronym DOD. Initially focusing on guitar effects pedals, DOD gained prominence with its innovative designs and affordable yet high-quality products.
Throughout its history, DOD has produced a wide range of effects pedals, including overdrive/distortion pedals, delay units, chorus and flanger pedals, and more. Their pedals often feature robust construction, simple yet effective controls, and distinctive sound characteristics. Classics like the DOD Overdrive/Preamp 250 and the DOD Stereo Chorus have become staples on pedalboards of musicians across various genres.
In 1984, DOD was acquired by Harman International Industries, which also owned other prominent audio brands like AKG, JBL, and Lexicon. Under Harman’s ownership, DOD continued to innovate and release new pedals while maintaining its reputation for providing high-quality effects at accessible prices. Though there have been shifts in ownership and product lines over the years, DOD pedals remain highly regarded by musicians seeking reliable and versatile effects for their performances and recordings.
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
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