KMA Audio Machines Queequeg 2 Sub Generator Octave Pedal

£129.99

This is a New KMA Audio Machines Queequeg 2 Sub Generator Octave Pedal from KMA Audio Machines, listed in Octave Pedals on Just Pedals. Read More below.

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Hand-made in Germany, the KMA Audio Machines Queequeg 2 is an all-analogue sub octave pedal that builds on the foundation of the original Queequeg, released in 2016. Designed to work equally well with a guitar, bass or synth, the Queequeg 2 boasts super-fast sub-octave tracking, serving up a host of earth-shakingly awesome tones!

The Queequeg 2's custom all-analogue circuit design produces organic and smooth sub octave tones whilst thickening up your sound in the process. Featuring three sub octave settings, accessible via a toggle switch, the Queequeg 2 transforms your guitar into a gritty bass guitar with heaps of low end and texture. The three-way toggle lets you chose between either the first octave (-I), the second (-II) or mix both together (-I/-II), producing a massive wall of sound! The LED even changes colour to let you know which mode you're on!

Housed in a compact chassis and sporting eye-catching graphics, the Queequeg 2 is painfully simple to operate! The single control knob controls the blend/mix of the clean and sub octave sounds and offers precise octave shifted single note lines or glitchy, random chords!

Main Features

  • Analogue sub octave pedal – from subtle tone thickening, to huge faux bass-synth sounds
  • Two ultra-fast tracking analogue mono sub octaves
  • Offers precise octave shifted single note lines or glitchy, random chords
  • Easy-to-use one knob MIX design – controls clean/sub-octave blend
  • Three switchable sub-octave settings: I: for synthy sub-octave sounds, II: for truly earth-shattering lows, I/-II: for a massive wall of sound sub tones
  • Multi-coloured LED – shows which mode is active at a glance
  • Compact enclosure with top-mounted jacks – will fit into any setup
  • True Bypass silent relay-based soft switching
  • Handmade in Berlin, Germany
  • Power by optional 9V PSU – (9V DC, centre -, 2.1 mm, 60 mA max. current draw)

Brand

KMA Audio Machines

In the current JustPedals catalogue, KMA Audio Machines is represented by Distortion Pedals, Noise Gate Pedals and Amp & Cab Simulator Pedals. Current listings include KMA Machines AB/Y Switcher, KMA Machines Active ABY Mono and KMA Machines Active Stereo ABY. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Octave Pedals

Octave pedals generate one or more notes above or below the input, either by analogue tracking, digital processing or a blend of both. Monophonic circuits often track best with clean, single-note playing; polyphonic designs can handle chords more reliably but may introduce a different feel or latency. Controls such as octave-up, octave-down, dry level, filter and tracking range shape the result. Check the intended instrument, register, input impedance and whether the pedal remains stable before or after other gain effects.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.