Strymon Timeline Delay Pedal

£429.00

This is a New Strymon Timeline Delay Pedal from Strymon, listed in Delay Pedals on Just Pedals. Read More below.

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Well what do you say about the Strymon TimeLine Delay? Probably one of if not the most talked about guitar effects pedal on the planet, the Strymon TimeLine has certainly caused a buzz! So what’s all the fuss about?

Loads of Options

The TimeLine is actually 12 different delays in a single box made up from simple pristine digital delays through dTape and dBucket delays taken from other Strymon pedals all the way through to complete new and insane delays like Ice, Swell, Trem, Filter and LoFi. If you can think of a feature that you’d need from a delay pedal the TimeLine already has it!

Stereo inputs/outputs?

Yep. MIDI tempo sync send and/or return? Yep. Expression pedal control? Yep. Send/Return loop? Yep. Tap tempo? Yep. Manual BPM or Millisecond tempo input? You bet! So you see there’s a good reason it’s the most talked about pedal on the planet! If you want the ultimate delay pedal for guitar then stop looking, you’ve found it!

Stymon are some of the most sought after and best loved guitar pedals in the world. The tones are incredible and there are few pedals that match up head to head on tone or features!

Here’s what Strymon say about the TimeLine

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs with an intense focus on dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.

TimeLine provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Specifications

  • Twelve different studio-quality delay machines in one, including some effects new to science!
  • Choose from dTape- and dBucket analogue delays all the way to unique, shimmering ‘slice n dice’ Ice delays
  • Dual (series/parallel), non-linear, multi-tap, reverse, swell, ducking, locked-tremolo, locked-filter, and lo-fi (incl. dVinyl) modes
  • Built-in full-featured 30-second stereo looper
  • 200 user-programmable presets
  • Massive tweakability
  • Complete MIDI control
  • Ultra low noise 24-bit 96kHz converters, 115dB typical SNR
  • Filter, Grit, Smear, High Pass, and Modulation controls.
  • LED for BPM and parameter control
  • Stereo input and output
  • Expression pedal input with selectable control over knob or combination of knobs, saveable per preset
  • Selectable Trails mode per preset

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Brand

Strymon

In the current JustPedals catalogue, Strymon is represented by Delay Pedals, Reverb Pedals and Pedal Power Supplies. Current listings include Lex Rotary, TimeLine Delay and Olivera Oil Can Delay. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Delay Pedals

Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.

Tags

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

Tap Tempo

Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.