Electro Harmonix Canyon Delay & Looper

£149.99

This is a New Electro Harmonix Canyon Delay & Looper from Electro Harmonix, listed in Looper Pedals on Just Pedals. Read More below.

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The Canyon delay is a powerful delay unit in a small box made to compete with pedals twice it’s own size.

It’s got 9 different delay types on-board meaning you can nail a variety of different delay styles. You can use the It’s got octave delays and shimmers on there for those that want to create a bed of sound but also has the simpler Tape and Echo delays for more traditional players.

The 3 controls make it easy to find a delay to your taste with the Level control for the volume of the delay and the feedback to determine how many repeats you’ll have.

On-Board Looper

The looper on-board means you can record yourself playing, with overdubs and practice playing over the top. It’s a fully functioning, single button looper as well as being a powerful delay. Though you can’t use the delay function when in Looper mode.

Here’s what Electro Harmonix say about the Canyon

Packed with more power than pedals taking up more space, the compact Canyon delivers a dizzying array of effects.

From immaculate digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer.. we’ve even included an exquisite Deluxe Memory Man emulation.

There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

Features 11 modes:
1. ECHO: digital delay
2. MOD: modulated delay
3. MULTI: multi-tap delay
4. REVRS: reverse delay
5. DMM: Deluxe Memory Man
6. TAPE: tape delay
7. VERB: reverb plus delay
8. OCT: octave delay
9. SHIM: shimmer
10. S/H: sample and hold
11. LOOP: looper mode w/max loop length of 62 seconds

Specifications

  • Delay time of 5 milliseconds to 3 seconds
  • Tap Tempo with tap divide using the built-in footswitch or an external footswitch
  • Tails switch allows you to choose whether echoes repeat or stop immediately when the pedal is switched to bypass
  • Easy access to “hidden” parameters thru Secondary Knob Mode
  • Comes with a standard EHX 9.6DC200mA PSU
  • Dimensions in inches: 2.75 (w) x 4.5 (l) x 2.1 (h)
  • Dimensions in mm: 70 (w) x 115 (l) x 54 (h)

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Looper Pedals

A looper records a passage and plays it back repeatedly so additional parts can be overdubbed over the cycle. Loop length, audio quality, storage and the number of independent tracks define the basic capability. Undo, quantisation, synchronisation, rhythm guides, reverse and half-speed functions determine how recordings can be corrected, transformed and aligned with other equipment.

Tags

Delay

Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Tap Tempo

Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.