Walrus Audio Meraki Stereo Analog Delay Pedal – New Walrus Audio Guitar Effect Pedal
£579.00
The Walrus Audio Meraki Stereo Analog Delay Pedal is an exceptional music accessory for all guitar enthusiasts. With its eight MN3005 bucket brigade chips it delivers warm rich repeats for an immersive audio experience. Capable of 1200ms delay time it offers parallel ping-pong and series delay modes providing an extensive range of sound possibilities. Additionally…
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The Walrus Audio Meraki Stereo Analog Delay Pedal is in New condition and made by Walrus Audio , it is a great Pedal Delay Analog Stereo Meraki Audio Walrus Guitar Effect Pedal- The Walrus Audio Meraki Stereo Analog Delay Pedal is an exceptional music accessory for all guitar enthusiasts. With its eight MN3005 bucket brigade chips it delivers warm rich repeats for an immersive audio experience. Capable of 1200ms delay time it offers parallel ping-pong and series delay modes providing an extensive range of sound possibilities. Additionally the independent controls for the delay times and modulation of the left and right channels allow creating syncopated repeats or classic repeat sounds. Not just that the Walrus Audio Meraki Stereo Analog Delay Pedal is equipped with a variety of controls such as mix feedback left/right mod depth/rate time and tone for precise adjustments. It also features MIDI implementation for digitally manipulating controls like time modulation tap tempo and more. The device also comes with options of true-bypass or buffered bypass for trails. Moreover the tap tempo and expression control offer dynamic control over time or modulation depth. This pedal with its advanced features and superior quality promises an unmatched music experience. . Available from Just Pedals for only £ 579 Specifications Type: Stereo Analog Delay Pedal Delay Chips: Eight MN3005 Bucket Brigade chips Delay Time: Capable of 1200ms Delay Modes: Parallel ping-pong and series delay modes Controls: Independent controls for the delay times and modulation of the left and right channels Additional Controls: Mix feedback left/right mod depth/rate time and tone MIDI Implementation: Digitally manipulate controls like time modulation tap tempo Bypass Options: True-Bypass or Buffered Bypass for trails Tempo and Expression Control: Tap Tempo switch or use an external tap or an expression pedal
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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Delays/Echos/Reverb Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
Allows players to create lush, modulated, sleepy and ambient soundscapes Dark – add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb Rise – this is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time It takes the reverb to swell in after a note is played. Set Lower for shorter rise times and higher for longer rise times Dream – here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add Vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of Vibrato applied to the reverb trail Lollipop Blue finish with light Blue and off white ink featuring original artwork by christi DU toit
True bypass, all analog, multi-stage Phaser With controls like rate, width, feedback, and d-p-v blend, The Lillian is packed with a wide array of Analog Phaser goodness waiting to be dialed in The “stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6 The d-p-v knob lets you blend between dry, phase shifted, and Vibrato sounds allowing for a wide range of control over the intensity and type of effect Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come
True bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches. The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line. The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Top-mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.
The Ambient Reverb comes in a black finish with blue and off-white ink. Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio pedals. Daisy chain power supplies are not recommended. Power supply not included. Provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes
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