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Radial Tonebone PZ-Deluxe Acoustic Preamp – New Radial Tuner Pedal Preamp EQ Bass Acoustic Guitar Guitar Effect Pedal

£325.53

The Radial Tonebone PZ-Deluxe Acoustic Preamp is the ultimate toolkit for acoustic sound. This is the most powerful acoustic preamplifier put into a pedal making it perfect for guitars to violins mandolins to cellos and anything in between. More of the sound you want. And less unwanted noise. The Tonebone PZ-Deluxe ensures optimal signal integrity…

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Description

The Radial Tonebone PZ-Deluxe Acoustic Preamp is in New condition and made by Radial , it is a great Tuner Pedal Preamp EQ Bass Acoustic Guitar Guitar Effect Pedal- The Radial Tonebone PZ-Deluxe Acoustic Preamp is the ultimate toolkit for acoustic sound. This is the most powerful acoustic preamplifier put into a pedal making it perfect for guitars to violins mandolins to cellos and anything in between. More of the sound you want. And less unwanted noise. The Tonebone PZ-Deluxe ensures optimal signal integrity with polarity reverse switch filter controls and ground lift. That means clear sound for all your instruments. Dial your tone with the powerful 3-band EQ. Whether you need to scoop out the bass or emphasise your mids the power is right there at your fingertips The new standard for plug and play. With the Tonebone PZ-Pre its easy to connect your amp or in-ear monitors with the Amp Out output. Or Plug in your tuner via the dedicated buffered output for silent operation on stage. All this and more from a pedal thats small enough for any setup. . Available from Just Pedals for only £ 325.53 Need a boost? If your acoustic instruments are equipped with a piezo pickup then you probably do. Thankfully the PZ-Deluxe is here to help. This powerful preamp gets its superior audio from a class-A PZB booster. The Deluxe’s gain stage can be activated to increase input impedance to 10 meg ohms eliminating squawk and harshness. That means ultra-quiet signal that’s adaptable to any type of pickup system. Quickly adjust the volume of your boost for soloing and never worry about knocking your level thanks to the ‘set and forget’ design. This is everything you need for studio-quality sound on stage. Features Perfect for all types of pickups and transducers Eliminate phase issues with the 180-degree polarity reverse switch Tame unruly low frequencies with the three-position lo-cut filter Simple control on stage via power booster and mute functions Perfect for piezo equipped instruments thanks to the PZB-2 class-A booster Adjust the amount of boost for soloing with the side access ‘set and forget’ level control Total control of input volume level on both stage amp and DI outputs Dial your tone thanks to a semi parametric 3-band EQ Remove hum and buzz caused by ground loops with the lift switch Plug directly into your tuner via the dedicated 1/4” buffered output Easily feed your onstage amplifier or in-ear monitors via the Amp Out output Long cable runs without noise thanks to a built in DI out Rugged construction for damage-free transportation Compact design can be included in almost any pedalboard setup Specifications Circuit type: Class A FET Hybrid Input Stage Frequency response: 20Hz 18kHz (0/-3dB) Dynamic range: 105dB Total harmonic distortion: 0.03 @ -20dB output Equivalent Input Noise: -108dBu Intermodulation Distortion: 0.07 Input Impedance – PZB Off: 6.8K-ohms Input Impedance – PZB On: 10M-ohms Gain – 1/4″ Input to stage amp out: +16dB (PZB-Off) Gain – 1/4″ input to XLR Out: +21dB (PZB-Off) Gain – PZB Piezo booster circuit: +10dB Gain – Boost On: +13dB maximum Output Impedance: XLR Output 4k-ohms Size: (6.1″ x 3.8″ x 2.1″) (155 x 96.5 x 53mm) Weight: 1.75lbs (0.8kg) Power Requirement: 15V (Nominal) 400mA Centre Pin Positive Adapter

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About Radial

We have one of the largest online selection of new and used Radial music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Radial Engineering Ltd., commonly known as Radial, is a prominent manufacturer of audio equipment and accessories, including guitar pedals, direct boxes, signal processors, and audio interfaces. Founded in 1991 by Peter Janis, Radial has earned a reputation for producing high-quality, durable products designed to meet the demands of professional musicians, engineers, and audio technicians.

Among Radial’s lineup of guitar pedals, the Tonebone series stands out, offering a variety of effects pedals designed to enhance tone and performance. One notable pedal is the Radial Tonebone Classic distortion pedal, which delivers classic overdrive and distortion tones with versatile controls for shaping the sound. Additionally, Radial offers a range of other pedals, including boosters, compressors, and switchers, designed to provide musicians with reliable tools for achieving their desired sound.

In addition to pedals, Radial is known for its direct boxes, such as the popular Radial JDI passive direct box, which is widely used in professional recording studios and live sound applications for its transparent sound and robust build quality. With a commitment to innovation and quality, Radial continues to be a trusted name in the audio industry, offering a wide range of products designed to meet the needs of musicians and audio professionals worldwide.

Acoustic Guitar

“Acoustic Guitar” isn’t a typical guitar effects pedal type like distortion, delay, or reverb. Instead, it refers to the natural sound produced by acoustic guitars, which don’t require additional effects to be heard.

However, there are effects pedals designed specifically for acoustic guitars that can enhance or modify their sound in various ways. Here are some common types of effect pedals used with acoustic guitars:

  1. Acoustic Preamp/DI: These pedals are designed to enhance the tone of an acoustic guitar when plugged into a PA system or amplifier. They often include EQ controls to shape the sound and may offer features like feedback suppression and phase inversion to mitigate issues commonly encountered when amplifying acoustic instruments.
  2. Acoustic Simulator: These pedals are intended to make electric guitars sound like acoustic guitars. They emulate the resonance, tone, and dynamics of an acoustic instrument, allowing electric guitarists to achieve a more natural sound without switching guitars.
  3. Reverb: Reverb pedals add ambiance and depth to the sound of acoustic guitars by simulating the reverberations of different spaces, such as halls, rooms, or studios. This can create a more spacious and immersive sound, enhancing the overall presence of the acoustic guitar.
  4. Delay: Delay pedals produce echo effects by repeating the guitar signal after a set amount of time. When used subtly, delay can add depth and dimension to acoustic guitar playing, creating a sense of space and movement in the sound.
  5. Chorus: Chorus pedals modulate the guitar signal to create a shimmering, chorus-like effect. When applied to acoustic guitars, chorus can add richness and thickness to the sound, mimicking the lush harmonics of multiple instruments playing together.
  6. Compressor: Compressor pedals regulate the dynamic range of the guitar signal, evening out the volume levels between soft and loud notes. For acoustic guitars, compressors can help maintain a consistent level of volume and sustain, enhancing the overall clarity and presence of the instrument.

These are just a few examples of effects pedals commonly used with acoustic guitars. While acoustic guitars are often appreciated for their natural, unprocessed sound, effects pedals can be used creatively to enhance their tone and expand their sonic possibilities in various musical contexts.

Bass

In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.

Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.

EQ

While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

Guitar Effect Pedal

A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.

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Preamp

A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:

1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.

2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.

3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.

4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.

5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.

6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.

Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.

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